Letters to a Young Activist
October 4th, 2006
The Littlest Hitler | Seattle author takes a hilarious bite outta Left Coast suburbia.0 comments
September 6th, 2006
The Traveling Death And Resurrection Show | Portlander's debut novel shows promise, talent but falters.1 comment
August 16th, 2006
THE THINGS BETWEEN US | Between Lee Montgomery and her memoir lies only self-pity.7 comments
August 2nd, 2006
The Cantor's Daughter | When emotions are fragile, Scott Nadelson pushes them to the breaking point.0 comments
July 19th, 2006
Last Week's Apocalypse | Portlander Douglas Lain slings shovel-loads from our national midden.0 comments
July 12th, 2006
A Sense Of The World | A tour de force biography of a man who led the way in every sense but sight.0 comments
July 5th, 2006
The Whole World Over | Julia Glass' sophomore effort proves her 2002 National Book Award was no fluke.0 comments
June 28th, 2006
Girls In Peril1 comment
June 7th, 2006
Literary Threesome | A triple threat against the usual, boring beach book.0 comments
May 31st, 2006
The Unsettling: Stories By Peter Rock | A Reed College professor mines Portland's landscape for chills.0 comments
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[May 14th, 2003] letters to a young activist
by Todd Gitlin
(Basic Books, 192 pages, $22.50)
Following the success of The Sixties: Years of Hope, Days of Rage and Media Unlimited, Todd Gitlin's most recent book fails to deliver. As a part of Basic Books' "Art of Mentoring" series, Gitlin invokes the pose of a veteran activist with a collection of essays (or "letters") written in the style of Rilke's Letters to a Young Poet.
Throughout the sometimes overly sentimental "letters" of Gitlin's runs a single, rather hardnosed theme: "So much the worse for me, and no excuse for you," "we" are responsible for what "we" do. Gitlin writes as an imaginary activist-cum-skeptic to impart the dreadfully important message that even activists aren't perfect, and that even though we need them, activists must remember to behave humanely and intelligently.
One primary difference between Gitlin's book and Rilke's is that the poet's work is a collection of letters to an actual person, and so the focus is consistent. Gitlin's letters often speak directly to the reading audience, forgetting the premise entirely, only to return intermittently to the device of personally addressing the made-up callow rebel. Considering that the "activist" is a work of imaginative fiction, it is somewhat less than startling that Gitlin is able to produce abundant "insight" into his character's psyche. But far too much of this thin book seems preoccupied in describing the "activist."
This aspect of the work has little value, save that it may, in the eyes of the publisher, have been necessary to include it in the series, which also boasts of Letters to a Young Chef and Letters to a Young Golfer. I had hoped for more from Gitlin.
James Walling
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