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ISSUE #32.13 • NEWS • COVER STORY
[COVER STORY]

But You Promised!


WW checks out what happened with some big promises around here. And guess what? Most never panned out.

Table of Contents: | The Political Promises | The Entertainment Promises | The Development Promises | The Offbeat Promise | The Media Promises | Promises We're Eyeing For The Next Time We Do This | Web-only Broken Promises

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BY WW EDITORIAL STAFF | newsdesk at wweek dot com

[February 1st, 2006]

Ever get that nagging feeling you've been promised something?

You know, like when President Bush droned on Tuesday night during the State of the Union and you flashed back to 2003 when he swore WMDs were just around the corner in Iraq?

Or like when O.J. Simpson vowed to find the real killers?

We know those promises were broken. But what about locally? What pledges have been made that were not kept? What oaths have not been honored by local politicians, authors, boosters, businesses, basketball fans and, yes, even WW?

Aren't you dying to know?

This will be a good read...we promise.

^The Political Promises

"Temporary" insanity

The promise makers: Multnomah County Chair Diane Linn, former Portland Mayor Vera Katz, and a multitude of civic groups and government officials

The promise: In 2003, they successfully pitched a three-year, 1.25 percent local income tax—the first of its kind in Oregon—to Multnomah County voters. They promised it would be a "temporary" measure to keep classrooms functioning smoothly while giving the Legislature time to come up with a long-term fix.

What they actually said: "It gives us time to find a statewide solution without destroying our local schools," said Sharon Meigh-Chang of the Portland Council of PTAs in the 2003 Multnomah County Voters Pamphlet.

So what happened? This May, Portland city voters will be asked again to pass another "temporary" tax for schools. While the rest of Multnomah County will escape, Portlanders will be asked to do what they were promised they wouldn't have to.

What they say now: "I don't see it as a broken promise," says Ann Nice, president of the Portland Association of Teachers. "We did what we said we'd do." The volunteer group Help Out Public Education put it this way on a recent flier: "The clear message Portland Public Schools got from the last Legislature was, 'Save yourself—don't look to the state.'"

Cutting through it all: To honor their promise, local school advocates would have had to persuade the state Legislature to increase school funding by more than $1 billion above the $5.2 billion lawmakers approved last year for all of Oregon or find another way to cover the $93 million per year for county schools raised by the local income tax.

They didn't. So the new four-year, city-only tax plan unveiled last week by Portland Mayor Tom Potter would allow for two legislative sessions to push for statewide reforms.

So how pissed should voters be? This time, if and when you hear the word "temporary," know that it's unlikely given the track record. —Ian Demsky

Does this train seem empty to you?

The promise maker: TriMet

The promise: The new 5.8-mile Interstate MAX Yellow Line from downtown to the Expo Center in North Portland will draw 13,900 riders every weekday.

What they actually said: The final environmental-impact statement in 1999 for the line included that ridership projection. And just after the line opened, TriMet operations director Bob Nelson was quoted in the May 13, 2004, Oregonian as saying, "We'll surely hit or exceed that [goal]."

So what happened? Current weekday ridership averages 11,800, or 15 percent below projections.

What they say now: TriMet spokesman Bruce Solberg said that after those ridership projections were made in 1999, "9/11 occurred and the Portland metro area has faced one of the highest unemployment levels in the country. Fewer jobs appear to be a big factor in the current ridership numbers."

Cutting through it all: Certainly, Portland's economy was more robust in 1999. But TriMet reiterated its ridership promise in 2004. And while TriMet's older Blue and Red Lines have topped predictions, the only happy face the agency can put on its website about the Interstate Line is that it "has exceeded ridership on the former bus line serving Interstate Avenue"—a small boast for a $350 million project. —Craig Mosbaek

^The Entertainment Promises

Where is the (follow-up to Geek) Love? The author has come un-Dunn.

The promise maker: Portland-based author Katherine Dunn

The promise: Former WW columnist Dunn, one of Portland's finest writers and the author of National Book Award finalist Geek Love, pledged 17 years ago to write another novel .

What she actually said: Dunn told London's The Guardian newspaper in an Aug. 19, 1989, interview that she was busy on her fourth novel, then titled The Cut Man, which was already under contract with Knopf (the publisher of Geek Love). "'The cut man in boxing is the person who stops the bleeding in a boxing match. The new novel is about boxing and serial killers," Dunn said.

So what happened? No Cut Man, but lots of great journalism—Dunn remains one of the better boxing writers in the United States and contributed to the award-winning School of Hard Knocks: The Struggle for Survival in America's Toughest Boxing Gyms. While that all may ultimately add great detail to Cut Man, fans of Dunn's vivid, warped imagination want fiction, not recaps of boxing matches.

What she says now: Dunn politely refused WW's interview request. Her agent, Richard Pine, told The New York Times in 2004, "Katherine once told me that writers are like faucets ... Some drip and some are on free flow. She drips, and she's happy dripping." In a more recent email interview, Pine told WW, "I don't know when Katherine will deliver Cut Man, but I do know that she's working on it and, like her many fans, I look forward to reading it soon after she's typed 'The End.'"

Cutting through it all: Knopf is currently scheduling Cut Man for a September 2008 release. —Karla Starr

We promised you a (full) Rose Garden

The promise makers: Portland Trail Blazers fans

The promise: Disgruntled Blazer believers burned their season tickets but vowed to return to the Rose Garden as soon as the hoops team axed its most notorious bad characters, even if it meant the Blazers started losing.

What they actually said: At the nadir of the Blazers' tragicomic '03-'04 season, you couldn't open The Oregonian's letters-to-the-editor section in the sports page without a screed from a self-proclaimed former fan just wanting to root for good guys again.

A typical example: "I have not attended a game for quite some time," wrote Delos Devine of Coos Bay in December 2003. "I miss the good ol' days...if and when the Blazers clean house, I will again purchase tickets."

So what happened? The Blazers cleaned house—new GM, new president, hard-nosed new coach, a dramatically overhauled roster stocked with players who haven't graced the police blotter lately.

Gone are post-juvenile delinquent Bonzi Wells, human storm cloud Rasheed Wallace, dog-fighting enthusiast Qyntel Woods and hometown hero/incorrigible weedhead Damon Stoudamire. Short of owner Paul Allen selling the team to the Boys and Girls Club for $1, the ball club more or less did what the public demanded.

What they say now: Devine says he has not attended games this year but is slowly regaining interest and thinking of taking his grandkids to games next season. "They're starting to remind me of the Blazers like they were,'' he says.

But in general, Blazers attendance remains just as anemic as the team's win-loss record. Portland's only major-league team is averaging 14,463 fans though its first 23 home games. That's next to last in the 30-team NBA, outranking only the suck-ass Atlanta Hawks and lagging behind such hoops hotbeds as Orlando and, uh, Oklahoma City. In the 2002-03 season when the team had Wells, Wallace and Stoudamire, the average attendance was 19,432 and the Blazers made the playoffs with a 50-32 record.

Cutting through it all: It would seem that the uproar over the Blazers' "character" was so much small-city hoo-hah. What Portland fans say they want ("good kids playing hard," or whatever) and what they really want (a winner) are two different things. —Zach Dundas

^The Development Promises

A promise takes center stage

The promise makers: The Portland Development Commission

The promise: Renovation of the Pearl District's historic Armory into a new home for Portland Center Stage would cost $21.6 million .

What they actually said: In a July 7, 2003, memo, PDC resource-development director Norris Lozano asked the agency to make a $6.6 million loan to help with buying and redeveloping the Armory. In that memo, Lozano outlined a rationale for the project and estimated a "total development cost of $21.6 million."

So what happened? The PDC approved the loan two days later, and the City of Portland guaranteed a bank loan for the project. Last Thursday, Portland Center Stage announced the project's cost had risen to $36.1 million—an increase of 67 percent over the initial estimate.

What they say now: Lozano says increases in construction costs and new project details, like an adjacent park, have driven up expenses. But he says the risk hasn't increased because the project is more compelling and Portland Center Stage "is doing a good job raising money."

Cutting through it all: It's not quite the same as the tripling of the OHSU tram budget. But the soaring Armory budget raises the financial pressure on the theater company, which has to raise the additional $15 million. Why should anyone care? Because PCS has struggled to pay bills in its current home at the Newmark Theatre. And a higher project cost increases the likelihood that the city will be on the hook for the loan guarantee.

When Portland Center Stage officials held a big gathering and theater tour last week to announce they had raised $24.4 million for the theater so far (and that the budget had crept upwards), nary a PDC rep or city official was in sight.—Nigel Jaquiss

They built it, but who came?

The promise maker: Joe D'Alessandro, president and CEO of the Portland Oregon Visitors Association—along with other supporters of expanding the Oregon Convention Center in 2003.

The promise: Backers of spending $116 million—covered by increased taxes on hotel rooms and rental cars—to add 407,500 square feet of exhibition space to the 500,000-square-foot convention center said that money would attract $130 million more a year to the city's economy, in large part by bringing in more conventioneers. The basic claim: If you build it, they will come .

What he actually said: Spending that $116 million, D'Alessandro announced in an April 2003 press release, would "ensure Portland is viewed as a premier convention destination."

So what happened? Not much. The rough number of hotel-room bookings linked to the convention center has fluctuated since the expansion, but not sharply increased. Records show 125,000 bookings in 2002 and 133,000 bookings in 2005, with highs and lows in between.

Heywood Sanders, a professor of public administration at the University of Texas at San Antonio and recognized national convention-center critic, says any increase in bookings could also be thanks to an improving economy (and the corresponding increase in travel) as opposed to the expansion.

In addition, a February 2005 Forbes report said the Oregon Convention Center had to "indirectly waive rental fees" for the organizers of 10 "decent-sized shows" just to get them here, and that "fewer than 30 percent of convention goers...came from outside Portland."

What he says now: D'Alessandro says last year "was kind of a record year for the industry here in Portland, very high revenue at the convention center." He adds that 2005 showed, "by far and away, the largest amount of visitor spending in the region."

But in the face of the actual numbers, all D'Alessandro can deliver is a list of conventions that he believes wouldn't have come before the expansion; likewise, the most recent economic report available from the convention center covers 2003, which doesn't tell us anything of recent activity.

Cutting through it all: D'Alessandro says the numbers wouldn't be as good without the expansion. But the lack of recent stats to back his claims—other than the insignificant increase in bookings—instills no confidence in those claims.—Amy McCullough













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^The Offbeat Promise

Stitchin' and bitchin'

The promise maker: Jocelyn O'Shea, a 23-year-old fiber and textile artist and student living in North Portland.

The promise: In an effort to both motivate herself as an artist and to ensure her work doesn't collect dust in the closet, O'Shea made a New Year's resolution to wear the dress she knit out of old bed sheets —a 200-hour endeavor she completed in December—every single day . That is, until she creates a new one.

What she actually said: On Dec. 31, O'Shea wore the halter-top dress for the first time. She resolved to continue donning the outfit for a significant portion of every day. "I have to wear it," she says, "so I can live inside of the pieces I make. To make a sculpture and put it on a hanger is useless."

So what happened? It took O'Shea a minute or two to confess, but she finally came out with it: "There was one day I stayed at home all day and"—her tone is so sheepish you'd think she accidentally tossed a recyclable in the wrong bin—"I didn't put the dress on."

What she says now: "It's been a good project for me, as an artist. It's kept me really motivated." She sees the effort as a sort of anti-fashion statement: "You're supposed to change your clothing," she explains.

Cutting through it all: There have been worse resolutions broken, that's for sure. Quitting smoking often lasts only a few hours. Self-enforced diet restrictions last a month, max, unless you stumble across an all-too-irresistible chocolate delicacy on Jan. 2. O'Shea has put on her dress—a stunning dress at that—every single day minus one. Such a sin can be forgiven, we think.—Laura Parisi

^The Media Promises

Uh, still waiting

The promise maker: Portland Mercury managing editor Phil Busse

The promise: Sensing a coverup behind the coverup, Busse pledged to ask tough questions about WW reporter Nigel Jaquiss' Pulitzer Prize-winning work on ex-Gov. Neil Goldschmidt's sexual abuse of a 14-year-old girl.

What he actually said: Busse wrote in the April 7, 2005, Mercury that he had many "unanswered questions." Among them: how "one of the original founders of Willamette Week, Robert Burthchaell [close, Phil—it's Burtchaell], was actively involved in 'handling' (more precisely, 'silencing') Goldschmidt's victim" and how "Burthchaell's alleged involvement in the coverup...should reflect on WW." (Busse got the lead about Burtchaell's role from WW, which published the story May 12, 2004.)

Busse wrote: "The Mercury is currently pursuing those leads."

So what happened? Since Busse launched his query-a-thon, the Merc hasn't published a peep about Goldschmidt. Is this like O.J. saying he will look for the killer?

What he says now: Busse, who still writes for the paper but left his editor's post, says he left any story notes in a file cabinet.

Cutting through it all: Our money's on O.J. —Adrian Chen

Now, gazing reproachfully at our own navel lint

The promise maker: WW

The promise: Independent, thought-provoking and in-depth coverage .

What we say each week: Look in WW's masthead and you'll see this: Our mission: Provide our audiences with an independent and irreverent understanding of how their worlds work so they can make a difference.

So what happened? Despite our high ideals and mission to push the proverbial envelope, we've sometimes pushed so far as to leave substance and relevance behind.

A few examples: In December 2004, we published "The Butt Brush Factor," 700 words of in-depth coverage of marketing in malls. Last August, "What Not to Hair" rated the hairstyles of local TV anchors. And last October, "Mary Carey's (DD) Bust in the Burbs," about a porn star's appearance at Fantasyland in Clackamas. And then.... Well, you get the idea.

What we say this week: Cornered at his desk, WW editor Mark Zusman soberly stated, "A part of our mission is to right wrongs, to afflict the comfortable and to comfort the afflicted, and to, in our own small way, address man's inhumanity toward man. You don't think these stories qualify? And by the way...didn't you write the Mary Carey piece?"

Cutting through it all: Yeah, but you published it. —Toby Van Fleet

^Promises we're eyeing for the next time we do this

Willamette Week's alchemists, brilliant but inclined to drink too much, have stirred up a frothy potion that redlines tough promises to keep.

Just for fun, we poured our sauce over Mayor Tom Potter's Jan. 20 State of the City speech.

Potter mostly yammered in generalities—tossing in a strange analogy about Alice in Wonderland—but the text glowed bright red under our magic decoder in several key areas.

*Potter promises to listen to 100,000 people in a Bill Clinton-esque "visioning" process.

Setting aside the merits of using vision as a verb or what that process will generate...100,000 people?? That would fill the Rose Garden five times over. Good luck.

*Potter promised to work with Commissioner Erik Sten and the Portland Development Commission on a campaign to "end this disparity" in home ownership rates between minorities and whites.

Only a third of Portland minorities own their own homes, compared with six in 10 whites, the mayor said. To eliminate that 27 percent gap would be extraordinary, given that the national disparity—which widened in the 1990s—is 25 percent.

*Potter promised as part of a community-policing pledge to get "officers to fully engage the community." However he'll measure this, rank-and-file officers say they're tied to their cars and monitored with statistics. Not exactly a recipe for Officer Friendly.—Angela Valdez

^WEB-ONLY BROKEN PROMISES

There is no sure bet

The promise maker: Gov. Ted Kulongoski

The promise: No addition of line games like video slots to the state lottery.

What he said: In an April 2002 debate among Democratic gubernatorial candidates, Kulongoski pledged not to add line games to the lottery. In fact, Kulongoski had a long history before that of opposing new gambling to generate state revenue.

In a 1996 New York Times editorial Kulongoski penned as Oregon attorney general, he blasted gambling advocates' argument that schools, the environment and the economy benefit from gambling revenues. "(P)erhaps other states can learn from our mistakes," he wrote about the 1984 implementation of the lottery. Kulongoski warned, "The truth is, any state that depends heavily on gambling for revenue will find itself under pressure to increase gambling."

So what happened: Even in September 2003 when Kulongoski faced a $67 million hole in revenue budgeted for the lottery, he maintained, "I'm not a proponent of line games. I still think we can reach the $67 million by other means."

The governor added, "Today, I have no intention to propose line games." In December 2004, Kulongoski did just that, encouraging the Oregon Lottery Commission to add line games to fund Oregon State Police patrols.

What he says now: Kulongoski spokeswoman Anna Richter Taylor says Oregon faced a billion-dollar hole when Kulongoski took office that required tough policy decisions like adding video slots. "I don't know how he could've foreseen that," she says.

Cutting through it all: While Kulongoski has told The Oregonian that endorsing line games was "one of the most difficult policy decisions" he's made, funding shortfalls were predictable when Kulongoski promised voters no video slots.

Also predictable: that politicians turn to the cash cow of gambling to raise money instead of anything that smacked of an honest solution: new taxes.—Shannon Green

Better late than never?

The promise maker: The city's 1972 Downtown Plan

The promise: Reawaken the city's West End (that sleepy zone between Southwest 10th Avenue and the I-405 canyon) into glorious urban life with tons of housing and 24-hour street life (but, um, not that kind).

What they said then: "This is an ideal location for downtown housing," the 1972 plan intoned.

So what happened?: Three decades later, the city's planning/development power axis was still politicking over how to get it done.

Finally, a detailed West End plan landed in 2002. That plan found the district about 5,000 housing units short of where planners thought it should be to fulfill its potential. A big reason for that? One-fifth of the area's land is occupied by parking lots, many controlled by the politically powerful Goodman family.

Despite official policy calling for the redevelopment of the lots, decades of concerted lobbying by the parking barons helped keep the sky cranes at bay.

What they say now: Today, you wouldn't mistake the West End for the Pearl District—there are still too many worn-out buildings and howling parking wastelands for that.

But unmistakable signs are surfacing that the neighborhood is starting to pop. At its northern edge, some of the frenzied foot traffic from the Brewery Blocks slops over to feed shiny new ventures like American Apparel's underwear boutique and a little clutch of fancy restaurants.

Elsewhere, hard hats are going to work.

For example, the Goodmans are teaming with Gerding/Edlen Developers, the firm that built the Brewery Blocks, on a 325-foot hotel/apartment/retail complex on Southwest Washington between 12th and 13th Avenues in the West End. The same developer's Civic condominiums, just beyond I-405 near PGE Park, are 60 percent sold 18 months before completion.

"That area was dormant for a long time," says Gerding/Edlen's Mark Edlen. "But the groundwork is there and there are several little sparks happening. In the next five to 10 years, there will be a lot of change."

Cutting through it all: To paraphrase some old-time country wisdom, you can plan in one hand and spit in the other and see which one fills up first. Now, though, it seems ye olde market forces (with their customary assist from the City of Portland's policies) may finally be transforming the West End. —Zach Dundas

The fine print behind a Blockbuster deal

The promise-maker: Blockbuster Videos

The promise: No more late fees

What they actually said: Blockbuster announced in a Dec. 14, 2004 press release "...as of Jan. 1, 2005, there will be no more late fees charged on any movie or game rental."

So what happened: That press release had a catch that never made the advertising blitz to tout the new policy. Turned out Blockbuster still had due dates, and would give customers a one-week grace period after the due date at no additional charge.

But if customers wanted to keep the rental longer, Blockbuster would automatically sell them the product, less the rental fee. If customers decided they didn't want to own the movie or game, "they simply return the product within 30 days for a full credit...less a minimal restocking fee."

Not surprisingly, the catch was absent from the ad campaign.

Facing allegations from 47 states including Oregon for misleading advertising, Blockbuster settled for $630,000 last March; the settlement was brokered by Oregon Attorney General Hardy Myers. The money was divided among the states.

What they say now: When asked about the "late fees" policy, employee Dawson Barrett at the Blockbuster store on Southeast Powell Boulevard said, "We don't have late fees," but was quick to disclose all the details of how the plan worked, including the $1.25 restocking fee.

Cutting through it all: If a deal sounds too good to be true, it probably is. No mega-chain is going to act out of kind-heartedness. It's no shock that Blockbuster wants to make money from people who don't read the fine print. —Joanna Cantor

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RECENT COMMENTS ON “But You Promised!”

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But You Promised!I don't know if Ruben Patterson pleading no contest to raping his underage nanny and later getting arrested for spousal abuse, along with Telfair's recent gun arrest qualify th...

Story Forum Archive, Feb 21st, 2006 12:00am
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I agree that there should've been a mention of the promise that Mary Manin Morrissey made to her congregation to payback $10 million in personal loans. (Search Willamette Week archives for the 2004 co...

Andrew Parodi, Aug 30th, 2006 1:12am
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Why is O'shea mentioned alongside people that actually matter. The woman is a mediocre (at best) knitter- NOT AN ARTIST! Why is there a picture of this nobody? WW would do better to be a little more s...

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Gosh, I am only seeing this now, but however long it takes katherine dunn to complete cut man, you know it will be a masterpiece. She's just into perfection. I think this was kinda mean!

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