The Cantor's Daughter
When emotions are fragile, Scott Nadelson pushes them to the breaking point.
October 4th, 2006
The Littlest Hitler | Seattle author takes a hilarious bite outta Left Coast suburbia.0 comments
September 6th, 2006
The Traveling Death And Resurrection Show | Portlander's debut novel shows promise, talent but falters.1 comment
August 16th, 2006
THE THINGS BETWEEN US | Between Lee Montgomery and her memoir lies only self-pity.7 comments
July 19th, 2006
Last Week's Apocalypse | Portlander Douglas Lain slings shovel-loads from our national midden.0 comments
July 12th, 2006
A Sense Of The World | A tour de force biography of a man who led the way in every sense but sight.0 comments
July 5th, 2006
The Whole World Over | Julia Glass' sophomore effort proves her 2002 National Book Award was no fluke.0 comments
June 28th, 2006
Girls In Peril1 comment
June 7th, 2006
Literary Threesome | A triple threat against the usual, boring beach book.0 comments
May 31st, 2006
The Unsettling: Stories By Peter Rock | A Reed College professor mines Portland's landscape for chills.0 comments
May 24th, 2006
The Possibility of an Island | France's most controversial writer succumbs to adolescent impulses yet again.0 comments
![]() The Cantor's Daughter |
[August 2nd, 2006] Relationships are complicated. Loving another person—be it a family member, friend or lover—requires trust and openness. But most people have emotional baggage that keeps them from achieving a true sort of intimacy.
Or at least that's true for the characters in Scott Nadelson's latest collection of short stories, The Cantor's Daughter (Hawthorne Press, 257 pages, $15.95). Like Saving Stanley: The Brickman Stories, Nadelson's 2004 Oregon Book Award-winning debut, these stories focus on the day-to-day interactions of Jewish New Jersey suburbanites. In stories darkly comic and tragic at times, Nadelson's carefully crafted prose makes his characters' emotional shortcomings accessible to readers. In the title story, a father is too damaged by his wife's death to notice his teenage daughter's self-destructive behavior. A daughter in "Walter's Girls" grieves her father's death silently, while her neurotic sisters manipulate the family tragedy to gain sympathy for their own unsatisfying lives.
Each story involves a missed opportunity for intimacy. Such similarity leads one to wonder just what makes these characters so alike. Location may be the cause: "It was these suburbs, with nothing for the kids to do," Nadelson suggests in "Model Rockets." "Their daughter had always been a relatively smart girl.... But in high school she'd come home from her weekend dates with dress rumpled, bra dangling or missing." Surely the social environment of the suburbs is twisted, but do these characters really trust so much less than someone from New York City or Lubbock, Texas?
Nadelson's best trick is slipping complex emotions and startling revelations between smooth and steady sentences, as a mother mixes in peas with the mashed potatoes so her child will eat his vegetables unwittingly. It is easy to become so invested in his characters' lives that it no longer matters how they became damaged; Nadelson's so engaging that the why is almost irrelevant. But the same thing that makes The Cantor's Daughter compelling—the hope that these characters will be able to put aside their problems and accept love—also makes it disappointing when a happy ending is so rare. What emerges from these complex characters is the unsettling feeling that unhealthy and painful relationships are not limited to New Jersey Jews. Those entanglements are an unfortunate fact of daily life that, according to Nadelson, force us to examine why we've become so reluctant to care about the people who care about us.
RECENT COMMENTS ON “The Cantor's Daughter”










