Indi-Animated
Scott Wayne Indiana dons multiple hats—and wields 39 axes.
June 17th, 2009
Lesbian Art Show At Fontanelle | Two artists put up a mirror to sapphic identity.0 comments
June 10th, 2009
Jason Low Moon | Checkmate; bang-bang.0 comments
May 13th, 2009
Mary Henry & Ellen George PDX Contemporary | A one-two punch of transcendental abstraction and elegant sculpture.0 comments
April 22nd, 2009
Michelle Goldberg The Means of Reproduction0 comments
April 22nd, 2009
Frost/Nixon (Portland Center Stage) | A power-hungry, white-guy cage match.0 comments
April 15th, 2009
Mark Woolley Gallery Says Goodbye | The longtime outsider gallery calls it quits.1 comment
April 8th, 2009
Matt King Fourteen30 Contemporary | Sizing up contemporary life.0 comments
April 1st, 2009
Paul Dahlquist at Gallery 114 | This 80-year-old photographer shows he’s about more than boobs, butts and schlongs.0 comments
March 11th, 2009
Warlord Sun King, Art Gym | Northwest artists herald the age of “eco-baroque.”0 comments
February 11th, 2009
John Sisley & Jesse Durost At Fourteen30 Contemporary | Think Lincoln Logs in outer space.1 comment
![]() WAITING ROOM |
[August 16th, 2006] In case you didn't get the memo, this is the summer of Scott Wayne Indiana. First, the artist was featured on KATU TV for installing those damned ubiquitous toy horses around the Pearl District and other parts of Portland. Next, he was the subject of a tedious debate on PortlandArt.net about the merits and demerits of his Elizabeth Taylor piece in Guestroom's group show, Gray Area. Then, on Aug. 5, he curated the one-day group show InClover at Mount Scott Park. The show inspired all manner of elitist comments from insufferable bloggers who couldn't get over the granola-istic temerity of mounting an art show in a public park. In fact, the show was superb, with bracing work from Jacqueline Ehlis, Blinglab, Paige Saez and Harvest Henderson, plus an eye-catching collaboration between TJ Norris and Abi Spring. Finally, Indiana installed Waiting Room on the ceiling of the Portland Art Center : a bravura riot of 39 axes frozen mid-chop, artfully lit to allow each ax to cast multiple shadows. The artist claims the piece is "about breaking through to the next level," which strikes our ears as a coy, Pollyanna spin on a fearsome, aggressive work. Indiana's strongest gift is as a gestural painter, but he has stretched his wings this summer as a conceptual artist and curator, and we look forward to seeing what twists his twisted yellow brick road will take next.
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Also at Portland Art Center is a striking installation by the ascendant single-monikered artist known as Houston. The Biennial selectee, who is 34 and whose real name is Matt Clark, has lined fancifully painted and laser-cut planks along a wall. Yes, it's a deconstruction of painting that we've seen the likes of before, but something in the precision and exuberance of execution—and the winky "Houston" logo branding some of the planks—lends the work freshness. 32 NW 5th Ave., 236-3322. Closes Sept. 3.
Elsewhere in the Pearl, Liz Harris fills Motel with pink and blue tape, intersecting in energetic patterns that climb the walls and spill onto the floor. 19 NW 5th Ave., Suite C, 222-6699. Closes Aug. 19. And at Everett Station Lofts' Tilt Gallery, Jonathan Leach displays colorful geometric paintings that riff on futuristic cityscapes. 625 NW Everett St., #106, (908) 616-5477. Closes Aug. 26..
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