Band-aids, Mao and Dirty Hippies
Wrapping up an eclectic month in visual arts.
June 17th, 2009
Lesbian Art Show At Fontanelle | Two artists put up a mirror to sapphic identity.0 comments
June 10th, 2009
Jason Low Moon | Checkmate; bang-bang.0 comments
May 13th, 2009
Mary Henry & Ellen George PDX Contemporary | A one-two punch of transcendental abstraction and elegant sculpture.0 comments
April 22nd, 2009
Michelle Goldberg The Means of Reproduction0 comments
April 22nd, 2009
Frost/Nixon (Portland Center Stage) | A power-hungry, white-guy cage match.0 comments
April 15th, 2009
Mark Woolley Gallery Says Goodbye | The longtime outsider gallery calls it quits.1 comment
April 8th, 2009
Matt King Fourteen30 Contemporary | Sizing up contemporary life.0 comments
April 1st, 2009
Paul Dahlquist at Gallery 114 | This 80-year-old photographer shows he’s about more than boobs, butts and schlongs.0 comments
March 11th, 2009
Warlord Sun King, Art Gym | Northwest artists herald the age of “eco-baroque.”0 comments
February 11th, 2009
John Sisley & Jesse Durost At Fourteen30 Contemporary | Think Lincoln Logs in outer space.1 comment
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[January 24th, 2007] Media glut notwithstanding, Storm Tharp's spectacularly overrated show at PDX isn't the only show up this wintry month. Other notables include Biennial alum K.C. Madsen's crumpled-paper sculptures at Broderick . The pieces are novel but have grown predictable over the years. Madsen needs to evolve, or she risks losing the art community's interest. 814 SW 1st Ave., 224-4020. Closes Jan. 30.
Photographer Jim Riswold is obsessed with figurines of dictators, having had his way with Hitler, Napoleon and now Mao Zedong at Augen . Riswold has placed Mao atop miniature replicas of classic modern chairs. With their sumptuous red backgrounds, the photos are iconic, ironic and just plain weird. One of this town's quirkiest visual minds, Riswold proves in this outing that he's finally crossed the Rubicon and gone full-out batty. We like that. 817 SW 2nd Ave., 224-8182. Closes Jan. 24.
Well-known painter Willy Heeks' seductive, meandering pastiches at Elizabeth Leach show a gift for improvisation colliding with contemporary neuroses. Endeavoring to be all things to all people, becoming nothing to no one, they are perfect expressions of incertitude: Michelle Ross without the yarn. 417 NW 9th Ave., 224-0521. Closes Feb. 24.
At Butters , Annette Davidek's innovative florals sear into the eye with unexpected color combinations: blood-orange and turquoise—yum! Elsewhere in the group show, Elise Wagner's Swift Descent may be the closest she's come to an encaustic masterwork. The piece is bisected by curlicued lines, one half drab and vaguely representational, the other abounding with nebulae swirling atop a gridded plane. This study in dichotomization and contrast suggests greater thematic reach than the artist shows in her more typically amorphous panels. 520 NW Davis St., 248-9378. Closes Jan. 27.
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We really like Lucia Johnson's hula-hooping monkeys at Backspace. 'Nuff said. (115 NW 5th Ave., 248-2900. Closes Jan. 30.) At Rake's group show, Kristina Bell DiTullo uses an unusual medium, Band-Aids, to comment on the machinations of psychological healing. DiTullo is a therapist, so she knows something about the subject matter—an identification apparent in these elegant, minimalist études. (325 NW 6th Ave., 750-0754. Closes Jan. 27.) New York photographer Elizabeth Weinberg travels the country with rock bands, documenting their tours. Her photos at Sugar temper band-on-the-run vérité with studied technical finesse. Highlights include her portraits of pasty-faced rocker Ben Kweller and the always hippie-licious Devendra Banhart. (625 NW Everett St., #108, 425-9628. Closes Jan. 30.)
—RICHARD SPEER.
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