THE REVISIONS, Revised Observations (Dirtnap)
Debut acoustic album from former punk rockers needs, well, revising.
November 19th, 2008
Critical Juncture | Point Juncture, WA is ready for the big time—but it’s not really a priority.0 comments
November 19th, 2008
What I love about Willie Nelson | Casey Neill is a Portland-based singer-songwriter who will perform at the Wonder Ballroom’s Willie Nelson Tribute this Friday night.0 comments
November 19th, 2008
Metal 101 | This high-school club’s got one rule: “Respect thy metal.”3 comments
November 19th, 2008
Little Sue Saturday, Nov. 22 | Susannah “Little Sue” Weaver talks cross-alt-country journeying.0 comments
November 12th, 2008
Blue Horns | Blue Horns’ attention span is short; its rock ’n’ roll songs are even shorter.0 comments
November 12th, 2008
Lickity | Lickity’s electro-party-punk was kind of an accident. No one’s complaining.0 comments
November 12th, 2008
One Mic | Longtime Portland MC Mic Censhaw finally makes a solo stand.0 comments
November 5th, 2008
Reviews: Oh Captain My Captain and Pink Widower0 comments
November 5th, 2008
An Anne For All Seasons | Grey Anne’s debut sparkles, whether or not she’s around to defend it.0 comments
October 29th, 2008
The Estranged. Friday, Oct. 31 | A post-punk life fits these ex-crust rockers just fine.0 comments
![]() |
[October 10th, 2007] [ACOUSTIC PUNK] Listen to the Revisions’ first full-length album a few times through and you’ll start asking yourself where you heard this band before. You might wonder, “Have I seen this fast-paced acoustic duo play live once, maybe at a reading of punk rocker/author Justin Maurer’s Don’t Take Your Life: True Stories? Don’t I have On the Lam, the first EP from Husayn Sayer and Douglas Burns (also available on 7-inch vinyl), buried under a stack of discs somewhere?”
Either of those scenarios is possible, but chances are you’ve heard Burns sing in the now-defunct ’70s-style punk band the Observers and Sayer play bass in pop-punk outfit Clorox Girls—which also numbers Maurer (who appears on the album, along with several other guests). While Revised Observations is as new to you as anyone else, it sounds unshakably familiar. The band itself is self-referential: The Revisions formed last year when Burns and Sayer started playing acoustic versions of Observers and (fellow local punk band) Speds songs live.
Some tracks are easier to place than others. “Lead Pill,” for example, is a re-working of an Observers tune. But other tracks draw from more unpredictable sources: On “Out of Reach,” Sayer’s vocals channel late ’90s Ramones rip-off bands like the Queers or Screeching Weasel, while the opening riff in “Breathe Again” sounds a little like Jimi Hendrix’s cover of Bob Dylan’s “All Along the Watchtower.” The album (recorded at Portland’s now-defunct Studio 13) also lacks layering. Take “Useless Information,” where the bass fluctuates between overpowering and being overpowered by the guitars and drums, leaving all three without a consistent place.
advertisement
The one instrumental success of Revised Observations is the string section: On “Empty House,” when a plucked guitar and intimate vocals complement Chad Marks-Fife’s sorrowful violin, the Revisions finally get it right. If only every track sounded that honest, these literal revisions could stop relying on what came before and stand on their own.
RECENT COMMENTS ON “THE REVISIONS, Revised Observations (Dirtnap)”








