[Civil Liberties]Hooley’s Tap DanceBY COREY PEIN | ACLU: Oregon congresswoman’s bill gives Bush spies a ‘blank check.’
[City Hall]Street FightBY COREY PEIN | Public funds used to push a controversial plan to remake Burnside.
[Election '07]Measured EndorsementsWW EDITORIAL STAFF |
WW’s recommendations for the Nov. 6 Election.
[Development]Parking on a PlatterBY NIGEL JAQUISS | PDC critics raise concerns about south waterfront parking deal.
[Schools]Cleaning UpBY BETH SLOVIC | PPS is mopping the floors with its custodians.
[Cops]Taking a DownerBY JAMES PITKIN | Prosecutors say Portland police are relaxing drug enforcement with a DAY shift. The result? Fewer felony drug arrests.
[Cover Story]Spot The Differences!BY JAMES PITKIN |
Answers:A. House 1’s owner has a rake with more teeth and a tricycle that works
B. House 2’s owner has bloodshot eyes and a dog mess to clean up.
C. Oh yeah, one more difference:
House 2’s owner has a property-tax bill 3 1/2 times that of House 1’s owner.
[Culture]The Art of Fake WarBY CASEY JARMAN | Casey Jarman battles the ultimate foe, a
Halo lead Developer, and Dies. A lot.
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[Queer Window]Bear TrapBY BYRON BECK | Grrr-ed Up Gays Leave Old Town for NoPo X-posure.
[Hot Seat]Dr. Oliver SacksBY CLAIRE EVANS | The renowned neurologist talks about that song playing in your head right now.
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[Music]Here Comes the NightBY AMY MCCULLOUGH | Leigh Marble opens up, gets dark.
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[Music]INTERVISION Shades of Neptune (Intervision Music)BY AP KRYZA | Intervision’s custom space jazz goes down smooth on its latest effort.
[Music]PAULA SINCLAIR The Good Horse (self-released)BY JEFF ROSENBERG | Sinclair’s latest pays pretty, if careless, homage to Oregon poets.
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[Music] [Here Comes Your Fan]Dude, I’m In the Band!BY AMY MCCULLOUGH | Rachel Blumberg on Bright Eyes, M. Ward & groupies
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[Screen]City Of Lost ChildrenBY AARON MESH | Just because you’re bereaved doesn’t make us saps.
[Screen] [Remotely Controlled]Pushing DaisiesBY DANIEL CARLSON | The best new show of 2007.
[Performance]Note TakerBY BRETT CAMPBELL | Why should you care about contemporary classical music?
The New Yorker’s Alex Ross explains.
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[Performance]Portland Sacred Harp SingingBY STEPHEN MARC BEAUDOIN | Attention, shoppers: Loud Protestant hymn singing in Aisle 3.
[Performance]Oregon Ballet Theatre The Germanic LandsBY HEATHER WISNER | A dreamy opening for Oregon Ballet Theatre’s yearlong
Grand Tour.
[Words]Kathleen Halme At The Press ClubBY MATTHEW KORFHAGE | The Press Club brings writers back home.
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