Kidd Pivot, Lost Action (White Bird)
White Bird, kicked out of the PSU nest, goes wild.
July 1st, 2009
Punch Brothers | Chamber Music Northwest gets patriotic.0 comments
June 24th, 2009
Risk/Reward New Performance Festival | Hand2Mouth marries art pop and pop art. 0 comments
June 17th, 2009
Inviting Desire (Dance Naked Productions) | Whips, gangbangs, fisting and Obama.0 comments
June 10th, 2009
Store For A Month | Art bargains and food for thought—now available at a “store” near you.0 comments
June 10th, 2009
The Blue Room (Portland Actors Conservatory) | Sex, drugs and rampant regret.0 comments
June 3rd, 2009
Rush + Robbins (Oregon Ballet Theatre) | The insect women will devour you!0 comments
June 3rd, 2009
Grey Gardens (Portland Center Stage) | Jerry may like your corn, but I do not.0 comments
May 20th, 2009
Everyone Who Looks Like You | Hand2Mouth’s family life: Food, fights and farts.0 comments
May 13th, 2009
Rigoletto (Portland Opera) | Murder with a side of Hunchback.0 comments
May 13th, 2009
Three Sisters (Artists Rep) | Who shot Baron Nikolai Lvovich Tusenbach?0 comments
![]() WHOOSH!: Kidd Pivot gets speedy. IMAGE: Chris Randle |
[November 12th, 2008]
Change is scary, but if we survived the political season, we can certainly survive White Bird’s 2008-2009 dance season as the company packs up and moves to new digs. The series has presented work at Portland State University’s Lincoln Hall for the past 10 years, but a two-year retrofit of that facility necessitated the creation of White Bird Uncaged, which relocates the PSU performances to venues all over town.
Uncaged opens at Reed College with the American premiere of choreographer Crystal Pite’s Lost Action, danced by her Vancouver, B.C.-based contemporary company Kidd Pivot. It’s a bang-up start to this new venture: Pite has created a 70-minute, no-frills performance so athletic and sweeping you can almost feel the whoosh of air as performers fly past. There are hints of Pite’s tenure with William Forsythe’s Ballett Frankfurt in this work, set to a sound collage layered with snippets of conversation.
“This is unknown territory we’re wandering into—it’s exciting, but it’s also a little daunting,” White Bird co-founder Walter Jaffe says of Uncaged’s logistical challenges. These included finding work that fit into non-proscenium spaces; booking enough nights in smaller spaces to make budget; and attracting new viewers while keeping the old ones—a conservative bunch—happy.
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White Bird’s cut a few deals to make the roving series more palatable to subscribers: They can get a discount from Zipcar for the night or take a $5 round-trip ride from downtown to Southeast on an EcoShuttle bus, and Jaffe has talked nearby restaurants into giving ticket-holders discounts on pre-show meals. Uncaged shows will be shorter and intermissionless at venues—including the Oaks Park Dance Pavilion—that may be new even to longtime residents. If the venture works, future performances could be “uncaged” even after Lincoln Hall reopens. For now, the question remains: Will Portland’s dance fans brave the wilds of Southeast?
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