October 7th, 2009
The Century Project At Bamboo Grove | Photographer Frank Cordelle wrestles with body acceptance.70 comments
September 30th, 2009
High Art | Tom Cramer resurrects the psychedelic ’60s.3 comments
August 19th, 2009
Shits & Giggles At Launch Pad | Jeremy Okai Davis paints the halcyon days of summer.0 comments
August 12th, 2009
Manor Of Art At Milepost Five | A hundred-plus artists turn a former nursing home into an aesthetic free-for-all.1 comment
July 29th, 2009
Marking Portland Portland Art Museum | Tattoo art graduates from bohemia to the blue-hairs.0 comments
July 8th, 2009
Equivocation (Oregon Shakespeare Festival) | Shakespeare in trouble.2 comments
July 8th, 2009
The Shock of the New Butters Gallery | Butters introduces four new artists to its roster.0 comments
June 17th, 2009
Lesbian Art Show At Fontanelle | Two artists put up a mirror to sapphic identity.0 comments
June 10th, 2009
Jason Low Moon | Checkmate; bang-bang.0 comments
May 13th, 2009
Mary Henry & Ellen George PDX Contemporary | A one-two punch of transcendental abstraction and elegant sculpture.0 comments
![]() Matt King’s Feedback Reflex Lite |
[April 8th, 2009]
What’s your IQ? How much money did you make last year? What’s your waist size, your bra cup, your dick length? Richmond, Va.-based artist Matt King wants to know. And while we’re at it, how old are you, anyway? Is your girlfriend younger than you (cradle robber!) or richer (gold-digger!)? Science Diet, King’s thought-provoking show at Fourteen30 Contemporary, makes us confront our place on the biological and social continuums by which we’re judged. In his sculpture-intensive show, the artist draws out viewers’ insecurities, pitting id and ego against the finger-pointing schoolmarm of the superego. These themes are most apparent in his steel-pole sculptures with height measurers attached and platforms for symbolic paraphernalia: a male fertility testing kit, a container of ant poison, a child’s geology set, a skin cancer self-screening test. How mobile are your sperm, the sculptures demand—how insect-impervious your home, how melanoma-free your face?
These probings grow more inscrutable and extreme in Feedback Reflex Lite, a gargantuan steel sculpture with six unwieldy, basketlike legs and a long metal tail with a rearview mirror on its end. At the base of each leg, ringing the core of this fearsome-looking creature, is a clear circle depicting iconic images: abstracted human organs, a cat lapping up food or drink, and, most ominously, a clock. Although the basket legs look womblike, they are cages that contain nothing but air; vessels that could not hold water, gestate children, or carry dreams. The rearview mirror trailing behind catches reflections of life as it flies past. And the iconic images so close to the sculpture’s empty heart speak to the fallibility of our bodies, the trappings of materialism and domesticity, and the ruthless, unflinching scorekeeper of the biological clock. As a whole, the piece enumerates Kafka-esque grotesqueries that afflict the flesh and the neuroses that besiege the mind.
Or maybe that’s just my projection. Thoughtfully conceived, well-executed art—which King’s most certainly is—adapts to the viewer’s reference points. Science Diet is a kind of Rorschach test, beckoning you to take it—if you dare.
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