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Hello Kelly!
With her addiction to "cute" and obsessive techno rabble-rousing, Kelly Newcomer is one artist you won't be able to resist. All this according to Kelly Newcomer, of course.

BY MICHAELA LOWTHIAN
243-2122, ext. 250


The New Machines, 100 Billion Times Faster and Cuter
Poker Face, 128 SW 3rd Avenue. Ends April 2.

Ground Kontrol 610 SW 12th Ave., 796-9365.

Check out Newcomer's art on the Web at www.pacinfo.com/~newcomer.

People rioted in Singapore recently over a McDonald's-sponsored Hello Kitty giveaway.


There's a painter showing around town named Kelly Newcomer, and if you ask her, she'll tell you that she's the bomb. She might even tell you if you don't ask. This is cheeky, of course. It's not like her life is that out of the ordinary. So she reads Wired magazine. So she works part-time at the UO bookstore in Eugene. And she lives in Springfield of all places. She tells me this and more when she picks me up for our interview. We've met to talk about her opening at Poker Face clothing store called The New Machines, 100 Billion Times Faster and Cuter. The Andy Warhol scarf she's wearing fills in the gaps when she's not talking. Like a new brand of soda, Newcomer tries to converge pop art's fashion and marketing in one neat package. It's hard to say whether 28-year-old Newcomer will achieve the fame and commercial success she's banking on--or if, like Crystal Pepsi, she'll disappear after a pumped-up marketing blitz.

We climb into her car and she turns on a CD of rapper Kool Keith ("Earth people, I was born on Jupiter") and launches into an explanation of the title of her new show. The New Machines part refers to computers and recent attempts to run photon-fueled processors. Newcomer claims that if it ever works, machines will run "100 billion times faster," as noted in the second part of the title of her show. The last part of the title refers to her obsession with the adorable. Since moving to Oregon five years ago, she's been exploring the theme of preciousness in art. Newcomer authored a "cute booklet" that explains quite well the role of cute in technology, marketing and art. It pulls together different strains of the consumer culture, paying special attention to the "social communications business" of products like Hello Kitty and its pens, paper and friendship cards. The booklet features an artist's statement in which Newcomer notes that "this cute aesthetic is being used to market many techno-futuristic products. Many people feel a strong compulsion to touch, own and play with these products." She quotes the CEO of Sanrio Corporation (makers of Hello Kitty) as saying, "Whether one is sad, down, happy or whatever...we want to help people share these important feelings with one another."

The slides from her latest show highlight the intersection between childhood innocence and futuristic machines. Their colorful pop effect is soothing and amusing--if not terribly original. In an aside, she says that the cute thing really had its start when she was living in snugly domestic bliss with her then-husband. Now they're divorced, and she's losing interest in cute and getting more and more into computers.

The new paintings at Poker Face are bigger (and more expensive) than the ones that hung in previous shows at Reading Frenzy and Bernie's Southern Bistro. Because of some recent success and an upcoming booking at the stylish ARO.space nightclub in Seattle, she's raised her prices for this show, making the people at Poker Face a little nervous. She told one woman who works there not to worry. "I'm the shit," she assured her.

We head to the Ground Kontrol arcade and continue on her favorite subject. "My art's about that moment when you see something and the moment that follows--when you want to buy it." Her delivery, in a kind of tone-deaf staccato, is a cross between pushy New Yorker and the rounded vowels of her native Minnesota.

In the painting Space Baby ($600), a yellow Teletubbie-type character lounges like a digital dough boy in a world dotted by a cheerful galaxy of orbs. Her fascination with communications technology, consumer desire and the future are right up front. Many of the paintings show outer space as a friendly signifier of the future, but they're also reminiscent of the first time you ever played Asteroids, Pac-Man or Centipede.

Before we leave the arcade, Newcomer charms the owner into loaning her a Ground Kontrol T-shirt to wear to her opening the next night. As she poses for pictures in front of a Rolling Stones pinball machine, she recalls the lyrics to a Stones song: Every man is the same, come on. I'll make you a star. "That's my song right now," Newcomer says, caught up in the lights of the pinball machine. You know better than to disagree.


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Willamette Week | originally published March 8, 2000

 

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