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RESTAURANT REVIEW
Turning Japanese
Olive Stick uses a Mediterranean approach to impaling and frying quasi-Japanese food. Sound weird? It is.

BY JEAN WENZEL
243-2122 EXT. 328

photo by Kelley Hamby

Olive Stick
150 NE 82nd Ave., 253-6481
Open 4 pm-10 pm Tuesdays-Saturdays. Children welcome. $5 corkage fee (no alcohol sold on premises). Moderately priced.

Picks
: Quail egg, chicken in spicy peanut sauce, potato and crab croquet.
Nice touches
: Artistic presentation, vertical salad.

When you see the name Olive Stick on the side of a restaurant, you're probably overcome with images of garlic or pita bread. The last thing you'd think is, "Japanese restaurant." But Japanese it is. In fact, Olive Stick's culinary premise is based on a single concept from the southern region of Japan called kushikatsu.

Check many Japanese cookbooks and if you find kushikatsu at all, it's described as a kebab of deep-fried pork. Olive Stick takes that narrow definition and bases an entire menu on it, creating a restaurant hybrid unfamiliar to most Portland palates. The use of non-Japanese ingredients and the fact that everything is fried in olive, rather than vegetable, oil makes Olive Stick a departure from kushikatsu restaurants in Japan. At Portland's Olive Stick there are 220-odd kushikatsu in rotation: About 30 appear on the menu at a given time, and the selection changes every two weeks or so. But instead of ordering individual items, diners open themelves up, in the words of the menu, "to the glorious banquet of food the cook is preparing that evening." The server will ask if there's anything you don't or can't eat--after that, you're in the hands of the chef. Each diner pays $6 for salad, rice, an appetizer and dessert. Once they've been primed with an appetizer and salad, the bamboo skewers or "sticks" ($1 each) start to arrive.

Everything is artfully presented and served in pretty Japanese bowls or on plates and platforms. An array of dips and seasonings--dry salt and pepper, a wedge of lemon, secret house sauce and soy sauce--accompanies each dinner. Though they won't reveal exactly what's in the house sauce, it resembles an opaque, gingery French dressing and complements everything that comes to the table. The salad is a lovely vertical presentation of raw vegetables and lettuce in a glass tumbler. The Japanese rice is molded into a perfect oval cake and can be sprinkled with one of four seasoning mixes--finely sieved hard-boiled egg and black sesame seed, and minced nori and dried fish were two I tried. The appetizer choices are cold vermicelli in thinned soy; a few bites of seared, rare takanaki beef bedded on raw onion slivers and dressed in soy and mirin; and cold cucumber and calamari in aurora sauce (similar to Russian salad dressing). The job of both the salad and the appetizer--raw, seared or steamed--is to counteract the oil of the fried kushikatsu.

Kushikatsu can be something as simple as an oyster or a spear of asparagus that is breaded, croquette-style, and deep-fried. Meat, seafood and distinctly un-Japanese foods like cheese happen to fare the best. Brie topped with habañero jam is heavenly, like a peppery cheese cake. But a thick slice of lotus root stuffed with hot mustard remained hard despite its oil bath. A little marinade would have eased the clash between the hot, fried exterior and the uncooked center. The pork slice, rolled in far too much pickled ginger, was tough and simply inedible. Some kushikatsu would have been better without the croquette-like coating altogether. In some instances, I would recommend that you peel it away and eat just the cooked crab or rolled beef and onion within. But save your stomach for the kushikatsu that are really worth it--quail egg, the chicken in spicy peanut sauce, the potato and crab croquette, ham and pineapple, or anything combined with cheese, which melts and blends perfectly in almost any combination.

Owner Namiko Takazawa's interior design background is evident from the thoughtful attention to detail. A burnished linen ceremonial kimono the exact same shade of gray as the exterior hangs on one wall and a huge Wassily Ting elephant watercolor on another. It's all pretty, but the Olive Stick has no tables, just two tall L-shaped counters with stools, making conversation for groups larger than three awkward. The counter seating does allow the servers to pass course after course to you as soon as they're fried, yet the overall pace is leisurely, so expect the entire meal to take some time.

Whether Olive Stick can make its kushikatsu concept work remains to be seen. Even if clean, light olive oil is used, how much fried food can a person take, and how often? Will the Olive Stick be able to lure people to its fashionable restaurant for a fine dining experience while beckoning from such an unfashionable address? With a seating capacity of a mere 14 at the counter and a dining concept that eschews speedy eating, Olive Stick had better be angling for a liquor license but quick (for now, bring your own beer and sake). Adding some soba and sukiyaki to the menu would be a nice concession to those unable or unwilling to make a meal of fried food. The Olive Stick staff is necessarily vigilant, so they know when to sizzle the next tidbit, but on a slow night the watchful eyes of chef, owner and server can be unnerving. Until Olive Stick catches on, they had better work on watching without overwhelming.

 


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Willamette Week | originally published August 11, 1999

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