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Daniel McCall sews rhapsodic about making it big on the small-batch
fashion scene. |

COLUMN
Industry of One
Androgyny
and Realm 8 carry the torch for Portland's indie fashion spirit.
by
ELIZABETH DYE
243-2122 ext. 335
Small-batch
fashion design is a labor of love. The training opportunities are
few and exclusive (and not even NYC's Parsons School of Design can
teach you good taste). The industry is all but locked up. At one
end you've got the Pradas of the world, and at the other, leviathan
garmenterprises who cut corners on materials (not to mention labor)
to rush the market with cheapo, clonelike pieces. Even if you do
have the free time, inclination and do-re-mi to design clothing
on your own, you still have to become a Jedi of the Singer to make
clothes that don't scream "home-ec project!" Ergo, cheers to local
style entrepreneurs Realm 8 and Androgyny. Both have chosen to seek
their fashion fortune in artistically hospitable PDX by hawking
their own designs and those of their peers out of smallish storefronts--one
on the eastside, the other on the west end of downtown.
Realm 8's Belmont
digs are on that stretch between Zupan's and the Avalon Theater,
and halfway between a plush grocery and a video arcade seems a good
metaphor for the hybrid look they're after. Heather Q and Jef, who
recently fled Burlington, Vt., for Portland's slightly greener old-growth,
stock their two-month-old store with an already diverse tangle of
men's and women's clothing, bags, jewelry and piercing paraphernalia.
To supplement their own lo-fi designs (mainly jewelry and silkscreened
T-shirts), the pair offers American Pig tees, designs by NoPo's
Resource Revival, Winky & Dutch rings and necklaces, and clothing
by friends and acquaintances. When I admired a forest-green two-piece
superheroine halter and miniskirt, Heather informed me, "Yeah, that's
by a friend of mine who is in fashion-design school in London."
The relaxed setup of the place means you never know what you'll
get, but Realm 8's intrepid leaders ultimately want to achieve an
aesthetic Jef calls "space-abilly"--that is, a misbegotten mix of
future chic and rockabilly. Space-abilly. The word might
not roll off the tongue, but let it drift in your head for a sec.
Zip-up Tyvek jumpsuits with pompadours. Quilted rubber cowboy boots.
Hell, yes, these kids are innovators!
Androgyny's
tiny shopette between a tailor/dry cleaner and a liquor store on
Southwest 10th Avenue might not seem the ideal ground zero for a
Portland fashion explosion, but Daniel McCall, the store's owner
and champion, has wanted this space for many moons. "I used to walk
by it years ago when it was still occupied," he says. "When I got
back from a trip to Japan, where wonderful things are done on a
small scale, it appealed to me even more." With a single display
rod for garments, vitrines in each window for jewelry, and a sewing
table centered in the small room, Androgyny feels cozily efficient.
The stock is selective and evolving; by walking in the door, you
plunge into the design process. When I stopped in, Daniel was scrutinizing
a Vera Wang pattern with a woman seeking a designer to stitch her
custom wedding gown. Lengths of fabric hang cheek-by-jowl with finished
garments, and customers navigating the store have to dodge the massive
Bernina serger perched at table's edge.
Eugene local
Daniel brings a decade of store display and apparel sales experience
to the Androgyny project, which he hopes will serve as a gallery
for creative-yet-sellable experiments in fashion--he imagines a
harmonious blend of established designers, local talent and creative
folk not "officially" in fashion, like painters.
Though locals
may have walked right past it without giving it half a lunch hour,
more-now-than-thou Paper magazine listed Androgyny
in its January shopping guide for Portland. (Editor's note: WW's
own Byron Beck penned the hip-list.) Here, Kirsten Moore's Piper
Ewan line shares rack space with G-Spot's logo T-shirts and frisky
jersey halter dresses in margarita-bright two-tone color combinations.
Lydia Pagett, a PNCA student, showcases her Cloacine jewelry line
here, including a Secret Power Ring with a set stone hiding under
a silver cap.
Small design
studio/stores like Androgyny and Realm 8 work without a net, often
with beans for a budget. "A lot of this job is stress management,"
says Daniel, who works a morning job in order to staff Androgyny
during the day, then toils into the evening managing the business
and finishing pieces for the store. Living the dream is no picnic.
But although ventures like Realm 8 and Androgyny wreak havoc on
finances and social life, Heather Q, Jef and Daniel are happy to
be here. "There can be a fashion scene in Portland," Daniel insists.
It's happening
now. It's pretty damn cool, too. And now you know whom to thank.
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