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WW
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Preference will be given to letters of 250 words or less.
Way
Off Track
I've always been kind of embarrassed to be represented
by someone my age who doesn't really seem to have a better
grasp on the issues facing me and my fellow Portlanders
every day than I do. I refer, of course, to Erik Sten. I
was ashamed, however, to read his analogy regarding the
issue of whether AT&T should be forced to give other
ISPs access to its cable network ["The
Shot Heard 'Round the World Wide Web," WW, Aug.
11, 1999]. His ill-conceived analogy reads, "It's like saying
they've got a car that can go 120 miles per hour, and the
city can't set any speed limits on it."
This is so wrong-headed I don't know whether to laugh or
to cry. The cable network AT&T has purchased isn't analogous
to a car, the vehicle of transport on an already established
highway. It is part of the highway. Like it or not,
TCI built a large chunk of road (extending the same analogy
Mr. Sten started); since AT&T now owns the company that
built this road, they have every legal right to restrict
access to it. If AT&T came into Portland and built the
proposed highway from Tualatin to Hillsboro with its own
money, would you expect the company to allow anyone to drive
on it for free?
I love competition, and I have no problem with government
stepping in to stop companies when they threaten to abuse
their advantages and engage in unfair business practices.
In this case, however, I'm afraid the individuals seeking
to take AT&T down are not just wrong, they're way off
the mark legally.
It is depressing enough that politicians are so out of
touch with the common man that we rarely feel like our needs
are truly being addressed. It's even worse when young hotshot
politicians seeking to make a name for themselves tackle
a faceless entity like AT&T while not really even having
an inkling of what the issue is all about. So Mr. Sten is
young; does that automatically make him an expert on the
Internet?
Preston K. Crawford
Lake Oswego
Zero
Intolerance
In response to Callahan's cartoon about hate crimes
[WW, Aug. 18, 1999], I have this to say: You just
don't get it.
At a time when we are seeing a surge in crime against people
based on their race, ethnicity or religion (not to mention
sexual orientation, gender and even vocation, in the case
of physicians and other clinic workers who provide abortion
services), I can't believe that anyone would question the
need for hate-crime laws. To commit a crime against any
person is and should be a punishable offense. To commit
a crime against a person based on race, ethnicity or religion
adds racism to violence, insult to injury, and should be
punished as an additional crime.
These laws do not, as Callahan intimates, create a value
system in which "some people's lives are more valuable than
others." They are a reasonable step our society has taken
to say that we will not tolerate hatred. Isn't that a statement
worth making?
Melissa Chernaik
Northeast Portland
What's
The Dilly, Yo?
H.V. Claytor Jr.'s piece "Too
Much Blackness" [WW, Aug. 11, 1999] was exactly
that: a piece.
As one of the creators behind the ROSIE 105 television
commercial that Claytor criticized for being racially offensive,
I would argue Claytor's article was itself offensive. Claytor
claims that ROSIE 105 used a white man to act out "stereotypes
of black youth." Have you been to a hip-hop club lately?
I see kids of all ages using the phrases and gestures we
poked fun at in our ad. In fact, that was the whole premise
of the commercial, to poke fun at obnoxious, youthful behavior.
You presume too much; if anything, we were offending youth.
Ouch.
At the same time, Claytor champions Jammin' 95.5 for stereotyping
a conservative individual who wasn't comfortable with the
new hip-hop format. Nice work. It seems people in the media,
like Claytor, do much more to damage race relations in this
country by trying to fan a fire where there are no flames.
I don't recall white people getting real upset with comedians
like Eddie Murphy, Chris Rock and Damon Wayans for sarcastically
imitating white characters in their acts. Why? Because they're
funny and right on the money. Plus, the negative overtones
Claytor conjures up with phrases like "great white Northwest"
are stereotypical in themselves. Like it or not, hip-hop
is not about "blackness," it's about music. The same goes
for rock, jazz, blues, etc. It seems veteran musicians figured
this out long ago (witness B.B. King, Eric Clapton, Robert
Cray, Vernon Reid, Sting, Miles Davis, Run-DMC, Aerosmith).
The roots of the music may have started with a certain group,
but it's the music's appeal to all people that makes it
special.
I'm all for individuality and taking pride in one's culture,
but quit being such a dick about this. Pass that along to
all your friends in the media. Other than that, keep writing
all that dope shit. You da Bomb!
Steve Flood
Co-Owner, Red Monkey Ads & Ideas
Southwest Ash Street
Rat
Control
Maureen O'Hagan once again showed her journalistic
skill in writing an informative story about the Portland
Police Bureau's latest scandal ["Breaking
Ranks," WW, Aug. 18, 1999]. But I'm curious as
to why there was no mention in the story of former Chief
Charles Moose and the fact that the police bureau leadership
chose to go public with the scandal just days after Moose's
departure. The timing of the announcement begs the question:
Did higher-ups decide to contain the scandal until after
Moose left so he could avoid criticism and accountability?
I would be interested to know whether Moose knew about the
fraudulent overtime and what, if anything, he did about
it. And if he didn't know about it, why not? He was, after
all, the chief of police, and memos were written about the
problem. It appears Moose successfully skipped town without
answering one question about his role in this fiasco.
The other interesting aspect of this scandal, as O'Hagan
stresses in the story, is that the Portland Police Association
leaders initiated the investigation by going to the bureau
brass. This is apparently the first time the union had ratted
on its members for alleged wrongdoing. I suspect this "unprecedented
action" by union leaders has something to do with current
contract negotiations with the city, where they are seeking
a 20 percent salary increase. Could it be that the union
leaders feared the scandal would weaken their position at
the negotiating table and decided to take the moral high
ground and rat on their fellow officers for the sake of
public-relations damage control? Who would want to agree
to huge pay increases for officers who collectively lied
about working overtime and got paid for it? This seems more
plausible a motivation than the union spontaneously growing
a conscience and wanting to do the right thing.
Todd Olson
Southeast Hawthorne Boulevard
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - Willamette Week | originally
published August 25,
1999
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