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Reviews of two new releases
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The
Damage
Manual
One EP
Invisible
Records
Of
related interest: Killing Joke, Ministry, Pigface
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When the time comes to form a new musical project, Martin
Atkins has hundreds of friends to choose from--primarily,
the deep pool out of which he fishes Pigface's rotating
members --but the Damage Manual isn't another of his ephemeral
side projects. It's an actual band, a Frankenstein's monster
that breathes its own electrified fire, with stitched-on
limbs salvaged from only the best bodies: Atkins (Pigface,
Public Image Ltd., Killing Joke) thumps drums with the left
leg; Jah Wobble (PiL, Invaders of the Heart) adds low-end
reinforcement with the right; Chris Connelly (Ministry,
The Bells) wields the mic; Geordie Walker (Killing Joke)
fires six strings of destruction; Lee "Bagman" Fraser (Sheep
on Drugs) trips out the brain on synth duty.
On One, this Promethean beast immediately kicks
the door in with the fuzzy stutter of "Sunset Gun," essentially
Led Zep's "When the Levee Breaks" shredded by RevCo, blown-up
trashcan beats exploding over slithery post-punk guitars
and Connelly's roughed-up croon. "Damage Addict" sounds
like Murder Inc. remixed by Cubanate, oscillating syntho
crunch undergirded by Atkins' techno-bred punch. The hyperactive
rant of "Scissor Quickstep" spins Connelly back to his old
industro-rock days for throat-scalding screams. "Blame and
Demand" matches Walker's trademark guitar spirographs to
Wobble's signature deep-dub spirals. And "Leave the Ground"
neatly balances Connelly's Bowie-tinged mellifluousness
with Bagman's distortion-torched electronics. Add two dub
remixes plus CD-ROM extras of videos, lyrics and bios, and
the page-turning Damage Manual is written--for now.
Await all new chapters with fevered anticipation. John
Graham
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Britney
Spears
Oops!
...I Did It Again!
BMG
Of
related interest: Mandy Moore, the Rolling Stones,
Shania
Twain
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Ladies and gents, at the risk of sounding cliché:
Oops, she did it again! Packing tons of hits and an explosive
new sound, Britney jams the radio waves and MTV's Total
Request Live. Plus, she's become a bestselling author
with her book Britney Spears' Heart to Heart! Now,
take a step back in the nine-items-or-less line to scope Miss
Spears on the covers of Rolling Stone and Cosmo
Girl this month! Truly, Britney Spears is on top of pop,
proving once again that when it rains it pours... and there's
a thunderstorm a-brewin' with the release of Oops! ...I
Did It Again! Still, as many of you have heard on the
infamous Z-100, she's quick to tell the world that she "can't
get no satisfaction." Yes, Britney covers the Rolling Stones
classic--but only because she's never met me! But I digress!
My personal favorite track, "Stronger," has an 'N Sync
feel, but with a definite Brit vibe. Britney also gets a
little personal with songs like "What U See (Is What U Get),"
"Lucky" and "Dear Diary." Of the three, "Dear Diary" comes
up short, literally. Less than three minutes long, this
song just starts to get started as soon as it ends. "Lucky,"
on the other hand, tells the moving story of a girl who
gets fame and fortune...but how lucky is she? Really?
Shania Twain lends a hand, co-writing "Don't Let Me Be
the Last to Know." Brit claims this is her favorite song
on the album, but I'm gonna have to say she might be kissing
a little Shania butt. Still, you can't dis Brit--it's just
not right! With or without Shania, she embodies all that
is right in pop music and makes all others look like Jar
Jar Binks to her Darth Vader. So drop this week's allowance
on a CD that rips the music industry a new one! Travis
Frost
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - Willamette Week | originally
published May 10,
2000
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