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NIGHTLIFE PROFILE

The Nasty Parson's Tale
Ron Osborne used to pimp himself out for big bucks at A-list comedy clubs. Now, though, he's gone straight. He's even become a minister with his own church. Honest.

BY CHRISTINA MELANDER
243-2122 ext. 297

 


Get your fill of Ron Osborne at these fine outlets:

Church of Comedy
White Eagle
826 N Russell St., 282-6810.
8:30 pm Sunday, May 14 and 28, June 4 and 18. Free.

Osborne has taped more than 500 episodes of his cable-access show. It is one of the most bizarre programs you'll ever stumble
across, but if you want funny, see him live.

Cable access show
11 pm Tuesdays on Channel 11; Channel 49 in the 'Couv.

ronosborne.fanspace.com


Ron Osborne and I are having a late lunch. I'm trying not to spit grilled cheese all over the place.

I feel like I'm back in grade school, fighting to regain control so I don't make a jackass out of myself. To make matters worse, I'm keenly aware of the nearby quartet of twitchy senior citizens, nervously trying not to notice every time Osborne says "fuck." Which is often.

These are the improprieties you risk when dining with a comedian--especially when the comedian happens to be funny.

"I've been a comedian for over 12 years now," Osborne says. "I started for the reason I think most people become comedians--you know, I just thought I was a funny guy, and I was." He says it matter-of-factly, but without arrogance.

Osborne, 35, is an ex-Marine, a husband, an ordained minister in the Universal Life Church (send in a postcard and you can be one, too) and, as he would say, "a whore." Born and corn-fed in Nebraska, where he got his start as a stand-up, Osborne has lived in Vancouver, Wash., for six years. He's been hustling on the comedy circuit since 1986, a stint that's required just as much ass-kissing behind the curtain as ass-kicking on stage.

To hear Osborne tell it, though, his yes-man days are over. He's burned showbiz bridges nearly as often as he's told his cornhusker joke. His most recent act of career arson torched his link to the place many comics consider the only game in Portland, Harvey's Comedy Club. Sick of the club's focus on formula, Osborne recently told Harvey's to stick it.

Now, capitalizing on his dubious religious credentials, Osborne's launched a regular comedy free-for-all at the White Eagle called The Church of Comedy. Osborne's self-proclaimed religion may be laughs, but he's serious about the shot at redemption his break from the mainstream offers.

"I had lost my funny," he says. "I knew the comedy tricks and formulas to make people laugh. Some people are comedians because they're comedians, and some people are comedians because they're funny, and that's what I think I'm back to again."

These days, it's not easy convincing people that a comedian is a walking riot-a-minute, a fact of which Osborne is well aware. "Comedy is considered stupid," he admits. "If you watch The Simpsons, they make fun of comedians all the time. But I really consider it an art."

Comedy clubs had their heyday in the '80s, a raunchy era when comedians were often simply paid in cocaine, cutting out the middleman. Then, though, times changed. Comedy went from the so-called "new rock and roll" to safe, whitebread and distinctly unfunny. Poetry slams and performance art came into vogue, and standup became the stomping grounds of guys who tell jokes with balloon animals. So when a comic who is genuinely hilarious comes along, it's a shock.

I first saw Osborne perform about two and a half years ago. It was a Wednesday night at a roadside bar and grill in Beaverton with a hookah-heavy Persian theme. In an effort to move beyond its core clientele of dirty-dancing weekenders, the club had started a comedy night, and Osborne was one of the first guinea pigs.

The crowd, if you could call it that, was a puzzle: a gang of polyamorists, a stolid judge and his equally mum buddy, a couple of bar regulars, and my date and me--about 12 people total. Osborne knew better than to spiel memorized material in such an intimate setting. Instead, he sized us all up perfectly and proceeded to have a goddamned field day at our expense.

Here was a comedian who was sharp, not cheesy. Who knew? Unfortunately, in today's comedy scene, schmoozing with booking agents, club owners and managers is more important than having a razor wit. Osborne relates a story about an industry jerkface back in Omaha.

"He goes, 'Come to my old club and I'll take a look at you.' So I kicked ass. The next day I said, 'Well, what do you think? I totally kicked ass!' And he goes, 'Well, you didn't really stick around after the show.' And I say, 'Yeah, I met those girls and we went out dancing.' And he goes, 'Well, you know, if you want to be a comedian, you have to deal with the business side of it, and I just don't think you take comedy seriously.'

"It was like my head exploded right then. Take comedy seriously? It's comedy! There's nothing serious about it."

It's not that Osborne is naïve. Pro comedy, after all, is how he earns a living. But he's been censored for the sake of selling tickets and heard the "comedy is not a joke" line too many times. After a long struggle to become a headliner at Harvey's, Osborne said goodbye to his bread-and-butter. His style--poking fun at everyone from big-name acts who play Harvey's to the free-ticket winners who make up a decent core of the audience--was perhaps too honest and dangerous for the club's structured, staid format.

And that brings us to the Church of Comedy.

The format is loose: Osborne emcees, and local talent, from very rough 18-year-old Danny Yarborough from Bend to seasoned pro Susan Rice, add pepper. White Eagle manager John McBarron describes the Church as "very adult humor, completely uncensored. If it got really big, who knows what could happen?"

I've watched Osborne perform nearly a dozen times. He was least funny at Harvey's, when he stuck to the watered-down gameplan. When I checked out the Church of Comedy in April, on the other hand, the Reverend was on a roll.

At one point, he spoofed a slurring, drunk heckler in the audience. "That speaking in tongues part?" he remembers. "That was the coolest, but to get there [raising his hand high], you've got to go here [motions down low]. Comedy clubs want here [indicates a safe middle level], because if you go there [low], they're gonna say 'You know, that one joke...and while we're at it, you shouldn't say cunt, because cunt's not funny. Buttfucker and cocksucker--very funny. But cunt, noooo.'"

Even with a filthy mouth like that, Osborne is nobody's whore any more.

 



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Willamette Week | originally published May 10, 2000

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