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WW
welcomes
letters to the editor via mail, e-mail
or fax. Letters must be signed by the author and include
the author's street address and phone number for verification.
Preference will be given to letters of 250 words or less.
VERA'S POLE POSITION
I have to say that I am really
happy to see that our mayor is focusing on the things that
really matter, like the ads that people put on the utility
poles ["Attack of the Naked Pole Katz," WW, Nov.
21, 2000]. I mean, I can't think of anything more important
than that, surely not the hundreds of gun laws that go unenforced
every day, etc. I always thought that the pole ads were
a great way of reaching a specific audience of people. But
this is "The City That Works," so we just better create
some more pointless work for volunteers and (I'm sure) city
employees sooner or later, being paid with our tax money
of course.
When and where does it end? I somehow feel that if the
posters said "Re-elect Vera Katz..." she would not feel
so much negativity for them!
Jacoby Burns
Northwest Countryridge Drive
LEADERS OF THE PAC
Many things happen when your project
is the target of ridicule by the local weekly ["Last Week's
Real Winners," WW, Nov. 15, 2000]. First comes disbelief
("What? Loser column?"), then anger ("#%&@ reporters
have no clue!"), followed by depression ("It's over!")
and, finally, acceptance ("I'm a loser baby...so why don't
you kill me.").
Much of what WW wrote on Nov. 15 was true. X-PAC
did not raise as much money as the original project chair
had predicted, and the OSA kicks major butt. We'd like to
add a few details WW missed, which prove X-PAC provided
a hell of a service for young voters.
Our eZine online voter guide was a smash success. We had
over 312,000 hits in the five weeks leading up to the election.
On Oct. 23 alone, the day ballots arrived, we had 48,000
hits. This blew away the 30,000 circulation of our printed
1998 voter 'zine, which WW called Portland's "Best
Voter Drive."
Our partnership with Coffee People slapped 180,000 eZine
promo stickers on every caffeine addict's cup in the tri-county
area. Fox 49 used our eZine as a part of their political
coverage and promoted it on the air. We were all over town
engaging young voters at places such as the Alberta Street
Fair, Hip Hop In the Park, and the Rock The Vote events.
Our email list hooked up interested people with volunteer
campaign opportunities. Our postering campaign reached young
voters in neighborhood hangouts. We even co-sponsored some
of those fine OSA candidate debates. Trust us, we're only
scratching the surface of the thousands of volunteer hours
that went into this.
But the work is not over. Plans are already being set in
motion for the 2002 Young Voter Project--and we intend to
be in the winners column for the Nov. 13, 2002, edition
of WW.
Tim Mooney, Young Voter Project Chair
Kari Chishom, Chair
Laura Bridges, Vice-Chair
X-PAC
TYPING AND SPITTING
I cannot see that Nick Budnick
can look at the information regarding Chief Kroeker and
conclude that "in the eyes of City Council and most Portlanders"
his standing is diminished ["Tugging on the Watchdog's Chain,"
WW, Nov. 8, 2000].
In the first place, the City Council is tuned only to its
political future and those with the loudest voices--facts
be damned. Secondly, those of us who can type and spit at
the same time are clearly not in the majority in taking
an 11-year-old speech, out of context, and foisting responsibility
on the speaker for all the woes of Portland Town. Such a
statement is clearly irresponsible.
Tom Joseph
Beaverton
CLEAR AND PRESENT
Letter-writer Charley Korns shows
that he's missing the point himself, when he says that the
Borders Perrin Norrander ads ("Don't vote. Things are perfect
just the way they are.") depict "dire potential consequences"
of not voting [Letters, WW, Nov. 8, 2000].
The photographs aren't showing potential consequences
at all--whether staged or not (were they?), they graphically
depict current crises that will not improve unless
we work to change them. I applaud WW for running
the ads, and I applaud the voters of Oregon for having turned
out in record numbers this year to cast their ballots.
Alan P. Scott
Southeast 60th Avenue
Editor's note: All photographs used in the "Don't
Vote" ads were drawn from stock collections except the electric
chair scene, which was staged for Borders Perrin Norrander,
and Keith Collier's shot depicting police brutality, which
was taken during the May Day march.
HANGING OFFENSE
My name is Dennis G. Payne. I am
a native-born African American (Hubbard, Oregon, 1948),
and I'm writing in response to your article "Rac_sm?" [Nov.
8, 2000].
I find it racist that the state of Oregon's labor commissioner,
Jack Roberts, would undermine the integrity of African Americans
by his ruling that there isn't "evidence to suggest that
a noose, by itself, is a racial symbol." To cite the Old
West standard of hanging to justify his racist position
is pathetic. For him to assert that a "reasonable African
American" would not have interpreted the nooses and gang-banger
talk as threatening or racially motivated is applying a
white standard to what people of color are allowed to feel,
sense and know.
This type of "Master knows best...white is right" attitude
is what keeps people apart and continues the racist nature
of this country. Once, the Bible was used by whites to justify
their enslaving of African Americans, and it appears that
still is the underlying belief today.
I call for Jack Roberts' firing and for the state of Oregon
to apologize to Ms. Morgan and all people of color for this
man's racist beliefs. We have to hold our elected officials
accountable to a higher standard of professional conduct,
and Mr. Roberts is a complete failure in this regard.
Dennis G. Payne
Northeast Hoyt Street
STAGING A COUP
Too bad Willamette Week doesn't have a sound
chip, so we could hear the violins in the background for
Steffen Silvis' piece on the Northwest Children's Theater
["Children's Theater at Critical Stage," Buzz, WW,
Oct. 11, 2000]. Mr. Silvis' twisted summary of events is
as remarkable for its mind-boggling omissions as it is for
its astigmatic vision of what is actually occurring.
The theater does not hesitate to hide behind children in
an unsavory attempt to appropriate a community center building
for itself, acquiring a several-million-dollar property
without paying a dime. The building belongs to the surrounding
neighborhoods, who bought it from a church many years ago
and incorporated a non-profit entity to run it for the community's
benefit. In the last several years, the theater shrewdly
took note of a power vacuum on the board running the building,
and moved to take it over. When the board attempted to have
an annual meeting, as called for in its bylaws, the theater
responded with a nasty lawsuit against fellow board members
and refused to negotiate, though neighborhood leaders made
every attempt to accommodate the theater's concerns.
The Northwest neighborhoods are dedicated to the maintenance
of a community center that can become a vibrant center for
arts events of many kinds, including but not limited to
children's theater, as well as community-building and service.
To that end, I hope that a legally elected board will be
able to direct the building in a future unclouded by power
grabs and lawsuits. That certainly doesn't set a very good
example for the youngsters.
Louisa McCleary
Northwest Seblar Drive
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