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Q&A
SONIC REDUCER
Have You Never
Been Mellow?
Five muted albums for those "Do Not Disturb"days and nights.
by JOHN GRAHAM
jgraham@wweek.com
It could be
a hammering hangover, or the flu, or 4:52 am and still no sign of
sleep, but believe it or not, there are times you just don't wanna
listen to Extreme Noise Terror. These records will lull you into
another state of mind. And no, that's not always a good thing.
Pure Kane
vs. King Black Acid:
If the Stars Are Where You Feel Safe (self-made)
Pure Kane--a.k.a.
local musician Bobek Djeyfroudi (Galactic Federation, sometime King
Black Acid bassist)--probably isn't in the minority in being taken
aback by KBA's poppy new direction. But rather than just bitch around
the rim of a bottle that KBA's latest LP, Loves a Long Song,
doesn't achieve the cosmic transcendence of yore, he's done something
about it: remixed his favorite songs from the album into two extended
drifts of astral-traveling
psyche-rock bliss. Like a modern-day "Shine On You Crazy Diamond,"
these new edits link tunes like "Kiss the Beast" and "Gentle Collapse
(Feels Good)" with sparse instrumental movements that gleam and
glow like nebulae in a peaceful deep-space dream. The distorted
crescendos that poke their distracting fingers into the reveries
of the original Long Song are left far behind; what remains
is a simple distillation of the core KBA sound. Hushed and intentionally
entrancing, If the Stars... should allow old KBA fans to
recline in meditative splendor without having to reach for the remote
every other song. But what would Daniel Riddle think?
Amber Asylum:
The Supernatural Parlour Collection (Release)
Lorded over
by occasional Neurosis collaborator Kris Force, Amber Asylum is
a home for those dark personalities either too damaged or too delicate
to see the light. Previous peeks into the Asylum mind were minimalistic,
abstract, fragile: neo-classical motifs wafted like cobweb filaments
underneath female vocals so whispery they were practically invisible.
Supernatural Parlour Collection is similarly restrained,
with Force's voice oozing ectoplasmic depression over slow cellos,
violins and sparse military drum rattles. It may be a touch more
tuneful than other Asylum visits, which could withdraw into shadowy
ambient introspection that just...dozed...the day...away..., and
an album-closing cover of "Black Sabbath" ups the energy level to
something approaching social. But this Collection, like all
reports from Amber Asylum, remains one best appreciated in nocturnal
solitude.
Robert Rich:
Sunyata (Hypnos); Amoeba: Pivot (Release)
Sleep-concert
king, Steve Roach crony and Lustmord collaborator Robert Rich has
made a name painting ambient smears with his keyboards for the past
20 years. For those curious to know how someone gets started in
such an esoteric field, Sunyata is a re-release of his very
first album (made at a ripe young 19), and shows the precocious
Rich already skilled at drawing out airy minimalism with enough
microtonal shifts to avoid boring listeners--who, since this was
during his psychoactive sleep-concert experiments, would've already
been sawing wood anyway. (Semantics, people, semantics.) On the
extreme down side, Rich uses the teeth-clenching New Age cliché
of running water as a background sound source, a musical act that
must be banned. Forever.
Pivot
is what happens when a deep dronologist has a pop itch begging to
be scratched. Here, Rich's usual miasma of subliminal whooshes and
wails is abandoned in favor of a shockingly straightforward mix
of guitar, voice and drums. While it's still a dream-clouded excursion--with
Rich's feather-light vocals and acoustic lines sweeping across chilly
electric-guitar leads and quiet sketches of percussion--the resulting
King Crimson-tinted progressive pop is as pretty as the morning
mist and nearly as insubstantial.
Enya: A
Day Without Rain (Reprise)
Enya, the patron
saint of shabby-chic candle shops worldwide, never changes. Cirrus
wisp vocals? Check. Gaelic lyrics, grandiose piano trills and pizzicato
strings? Check. Enough reverb-drenched echo to flood Ireland forever?
Check. A Day Without Rain is so programmed to stifle mankind's
violent natural instincts, one has to wonder why Enya's not the
peace emissary to Belfast. Maybe they're worried the dullness would
lull them into a dangerous, military-post-deserting coma?
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