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Best Of Portland: 2000

Cheap Eats 2000

photo by basil childers

Check out the goings-on of the Yellow Fist movement, including MP3s of response raps to the Bloodhound Gang and a reader contest for responses to the group, at www. 2tongues. com/ yellowfist.





Leslie Lum, one of the organizers of the event, said that the intent was never to provoke Bloodhound Gang fans. She called the event's focus "entertainment for our sake."

 



URBAN PULSE--NEWS STORY
BE AGGRESSIVE BE, BE, AGGRESSIVE
Radical Cheerleaders, response raps and spoken-word: Last week's protest against white boyz with attitudes the Bloodhound Gang showed that even if the revolution isn't televised, it can still have a good soundtrack.

by CARYN B. BROOKS
cbrooks@wweek.com


Bloodhound Gang lyrics

For the assembled activists, it was the perfect way to reach the targets of their protest. Fans lined up outside the Roseland Theater waiting for last Tuesday's sold-out Bloodhound Gang show were a captive audience, giving the demonstrators a superb chance
to convince them that they were spending money to support a band that is racist and sexist.

The Asian Pacific Islander activists and their allies hand Bloodhounders a paper packet with an alarming neon-pink cover. It reads, "Celebrate! Women. People of Color. Asian Pride. Celebrate Justice! Empowerment! Think. Listen. Resist. Act."

It doesn't get much attention. One guy scribbles "Fuck you Hippies" on the leaflet and drops it into a planter on Northwest 6th Avenue.

Three girls on the receiving end of the leaflet take a closer look. They are young, with the kind of dewy skin you get one shot at in life. The Bloodhounds, says Ariel Jacobs, are funny. Her Lincoln High classmates agree, saying the group is just one part of their musical melange. The girls list Sublime, Lenny Kravitz, Macy Gray and Ani DiFranco as some of their favorites (they've never heard of local feminista rockers Sleater-Kinney).

"I don't understand why, if I go to see them, that makes me a racist," says 16-year-old Greta Mills, who is sucking sugar through a pixie stick. Mills says that she's down with the whole protest thing but she doesn't think this is cause enough to take to the street. "We should be protesting the fact that Bush is president," she says. Then she shrugs. "But then again, what do I know--I'm 16 and I can't vote."

Meanwhile, the loose coalition of protesters on 6th Avenue is dealing with some technical difficulties; rain has forced them to put a tarp on their sound system, muffling their voices. A slide show projects a blank screen across the wall.

An Asian activist named Polo gets on the mike and starts reeling off some spoken-word melodies. It's hard to make out the words. This incites a violent reaction from the Bloodhound Gangers. "Fuck you!" bellow some boys. "What the hell are you talking about?" scream some others.

It's hard to pinpoint why they're getting so excited. Is it being forced to swallow muffled spoken-word against their will or the charge that their favorite band is racist?

For this and many other do-good causes out there, it seems, carrying signs that say hooray for our side is no longer effective. Bullhorns and banners just don't register anymore. People, particularly a generation raised on MTV, need media they're familiar with: videos, CDs (see "Dancin' to the Revolution," right). In short, they need entertainment.

Enter the cheerleaders, stage right. A group of about 10 women wearing a mish-mash of cheerleading gear, some holding pom-poms, lines up. "Stop! Resist the hate. Don't participate," they sing. Then they go into an old-fashioned version of "U.G.L.Y--You're Ugly."

Portland's Radical Cheerleaders have arrived to save yet another dreary demonstration from yawning predictability.

According to the modern protest mythology, the Radical Cheerleaders were born down in southern Florida in 1996 as a way to make protests more creative. Combining street theater with semiotics, the Cheerleaders tended to disarm Floridians with their blend of flipped cultural convention and quick wit.

Soon squads formed across the country, and websites sprouted up offering cheer sheets. Here in Portland, a group formed last November. The loose squad of about 26 (including two men) performed at the annual Dyke March before Gay Pride in June, in counterpoint to the Rev. Fred Phelps' anti-gay demonstration in September and, most recently, at last month's Buy Nothing Day.

But the cheerleaders rose to prominence at the head of the May Day march, which devolved into a melee in which three squad members were arrested. One of the cheerleaders taken into custody was 28-year-old Tori Kjer, a social-service worker with Growing Gardens, a nonprofit that builds gardens for low-income people, seniors and people with disabilities.

Kjer is the cheerleader who pulled the squad together last week for the Bloodhound Gang protest. She says she's drawn in by the melodrama of it all and, as a politically active person, she sees it as a creative avenue to make a point.

The native of Longview, Wash., was not a cheerleader in "real" life, however. "I was terrified by the thought of being a cheerleader," she says. "But I've always been curious, secretly curious, about being one."

For the Bloodhounds protest, Kjer sent an email to the online cheerleader list and asked for volunteers. The group met the Sunday before and worked out cheers.

Two days later, the motley group in red and black certainly got attention from the concertgoers. One man in line screamed, "Die, faggots!" Another group of young men chanted, "Show us your tits!"

Clearly the aspiring frat boys were not won over. But a group of girls with swirly pink hair stared at the cheerleaders and giggled. "I like their outfits," one of them said. "They're funny," said another.

Although the Bloodhound Gang eventually put on their show and spewed forth their shock-lyrics, for a brief moment that night they had to share the spotlight with a group of spirited women who made their streets their stage.


Dancin' to the Revolution

Early in the protest against the Bloodhound Gang, a young woman bundled in fleece slipped a CD into my pocket. The disc is filled with response raps aimed at the Bloodhound Gang, and songs called "Dear BHG" and "Dear BHG, Part 2: The Revenge." Over a slightly trip-hop beat, an urgent MC lays down his lyrics: "Others might brush it off as just being rude/ and obnoxious/ I take it to the heart, kid/ 'cuz you took thousands of years of culture/ and white-washed it/ for profit/ and anyone who bought it/ is now a part of this heartless garbage you started..."

This is one step toward the dance-worthy revolution that turn-of-the-century activist Emma Goldman used to demand. --CB