âTrue Men Donât Kill Coyotes,â Red Hot Chili Peppers (1984)
Less funk-punk than tribal new-wave, the
lone highlight of the Chili Peppersâ first outing finds Anthony Kiedis
embodying the collective spirit of the âkay-yotesâ displaced from the Hollywood Hills, gnashing his vocals in a way he hasnât done since.
âHollywood (Africa),â
Freaky Styley
(1985)
On their second album, produced by George
Clinton, the Chili Peppers donât just deliver a respectable cover of
the Metersâ slow-cooker âAfricaâ but practically take ownership of it.
âBehind the Sun,â
Uplift Mofo Party Plan
(1987)
An appropriately sun-splashed,
psychedelic love note to the environment, the song is the first
indication the band was conscious of the world beyond their sock-covered
phalluses.
âTaste the Pain,â
Motherâs Milk
(1989)
This swirling mass of psyche-funk guitars
and arena-size drums, from the album now seen as the bridge toward the
maturer pastures of Blood Sugar Sex Magik, is the biggest tipoff the group was finally ready for prime time.
âShow Me Your Soul,â
Pretty Woman Soundtrack
(1990)
Over jazzy cocktail piano and Fleaâs
staccato pop-locking bassline, Kiedis spits some good game (possibly at
Julia Roberts?), claiming to be a âsentimental gentlemanâ who wants âto
know more than your brain.â He still sounds like a total skeezer, but at
least heâs not just waving his junk around like he used to.
SEE IT: Red Hot Chili Peppers play the Rose Garden Arena, 1 N Center Court St., on Wednesday, Nov. 14. 7:30 pm. $39.50-$55.50. All ages.
WWeek 2015