Sunset Valley, The New Speed (1998)

Led by singer-songwriter Herman Jolly and featuring Eyelids guitarist Jonathan Drews, Sunset Valley's ace guitar pop was supposed to be Portland's Next Big Thing, before it got a tad too weird for mainstream consumption. Though mostly defunct, the band reunites for the odd gig here and there. "It still hits the nerves," says Chris Slusarenko.


No. 2,
No Memory

After the demise of grunge-era favorites Heatmiser, drummer Paulie Pulvirenti—and later, bassist Jim Talstra—joined Neil Gust's follow-up project, continuing his previous band's hooky melodic rock for two albums. Gust's former bandmate Elliott Smith contributed guitar and keyboards to an unreleased No. 2 demo—which featured John Moen on drums—shortly before his death in 2003.

Cavemanish Boys, Get a Load of… (2000)

Fronted by Gerry Mohr of


-worshiping Portland cult heroes the Miracle Workers, the first band Moen, Slusarenko and Talstra played in together revived '80s garage rock years before the national revival of the '00s. "We recorded and mixed it in a day at Jackpot," Slusarenko says. "It was one of those magical things."

Various artists, Colonel Jeffrey Pumpernickel: A Concept Album (2001)
Although he didn’t actually perform on it, Slusarenko conceptualized this “indie-rock opera,” calling upon Stephen Malkmus, Grandaddy, Mary Timony, Lou Barlow and practically everyone else in his address book to help tell the story of…uh, a guy who fights robots, maybe? 

Boston Spaceships, Zero to 99 (2009)
Slusarenko and Moen consider the third album in their collaboration with Guided By Voices’ Robert Pollard to be the purest encapsulation of Pollard’s glam-pop vision. “That was the one that was the most like Guided By Voices, kind of like Alien Lanes—really haphazard,” Slusarenko says.