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Shit Portlanders Say

"Has anyone seen my growler?"

Arts & Books OK, this is a little hit and miss, but we'll admit it: we lold. Stick with it—it gets better as it... More

Feb 9, 2012 03:23 pm by Ruth Brown  | Comments 4
 

One More Round of Fertile Ground Reviews

Arts & Books Groovin’ Greenhouse 1Fertile Ground is best known for its showcases of new theater works, but the ... More

Jan 31, 2012 11:17 pm by BRETT CAMPBELL  | Comments 0
 

Live Review: 4x4=8 Musicals at the CoHo Theatre

Arts & Books 4x4=8. Yes, they know the math is wrong, but the title is still apt. Live on Stage Productions’ co... More

Jan 27, 2012 11:46 am by MARIANNA HANE WILES  | Comments 1
 

Live Review: The Tripping Point at Shaking the Tree

Arts & Books There's a reason fairy tales have been plumbed for art's sake so deeply: they're bottomless. Murky w... More

Jan 27, 2012 11:06 am by JONATHAN FROCHTZWAJG  | Comments 0
 
 
 
Home · Articles · Arts & Books · Performance · Air-Condition (White Bird Dance)
April 2nd, 2008 HEATHER WISNER | Performance
 

Air-Condition (White Bird Dance)

PREVIEW: Brenda Angiel’s floating dance party.

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BOING!: Brenda Angiel Aerial Dance Company.

Tango, not aerial dance, is Argentina’s best-known cultural export. But with the Buenos Aires-based Brenda Angiel Aerial Dance Company, you get both. In fact, Angiel believes a certain aerial tango is one of the most poetic sections in her evening-length work Air-Condition: “It is a tango that expands timing and flotation,” she said via email, shortly before the company arrived in Portland.

Angiel’s six dancers—suspended from harnesses, ropes and bungee cords—will make their West Coast debut with Air-Condition, a video-infused dance performance that defies gravity’s pull. In 14 physically challenging and often hypnotically beautiful segments, the dancers swoop and bound over the stage like furious angels, or hover horizontally, like William Hurt in Altered States, with their feet tickling the backstage wall and the tops of their heads pointing at the audience.

Kaleidoscopic patterns and optical illusions swirl through the work: When you’re not earthbound, Angiel has discovered, you can reimagine the interplay of bodies, energy and space. “I can play with elements such as being upside-down longer,” she said, “to rebound or suspend and extend timing of movement, change the spectator point of view by using a wall as a floor surface.”

It’s natural that dancers—who spend much of their careers practicing new and better ways of catching air—would dream of flying. Over the years, aerial dance companies and creations have drifted across the horizon like so many hot-air balloons. Some of these are showily acrobatic, while others have a stripped-down athletic purity (for reference, see San Francisco’s Project Bandaloop company, which has danced off the face of Yosemite’s El Capitan). Angiel, a classically trained dancer who came to the U.S. in the ’80s to study with boundary-busting modernists like Cunningham and Nikolais, falls somewhere in the middle, stylistically speaking. Her choreography doesn’t trumpet itself, but it does revel in the aesthetic and kinesthetic possibilities of aerial movement. This dance is rigged, and with good reason: Altering gravity not only changes the look of ballet, modern dance and even tango movement­—it changes the mood as well.


SEE IT: Lincoln Hall, Portland State University, 1620 SW Park Ave., 725-3307, whitebird.org. 8 pm Thursday-Saturday, April 3-5. $16-$26.
 
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