Brew Views
According to crusty Irish boozer Dave—played with impeccable comic charm by Chris O’Dowd, Kristen Wiig’s cop boyfriend in Bridesmaids—country-western
and soul music are both rooted in loss.
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Brew Views
EFFECTS MASTER: Had the late Ray Harryhausen never
broken into cinema, we probably wouldn’t have the world of movies we do
today. From his breakout in The 7th Voyage of Sinbad (1958) all the way
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Brew Views
Like a lovesick diary entry, Terence Nance’s feature debut, An Oversimplification of Her Beauty,
loops from confession to self-doubt to blind infatuation. The film is a
blend of documentary and
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Brew Views
In the first 10 minutes of Pieta, the latest
feature from internationally renowned director Kim Ki-duk, a man in a
wheelchair hangs himself, another loudly humps a pillow on his bed, and a
third
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Brew Views
During the 1988 election in Chile that
led to the ouster of Augusto Pinochet, TV advertising played as major a
role in the political process as traditional campaigning: For 27 days,
each side ha
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Brew Views
The words “spring break” are repeated so often in Spring Breakers that the phrase takes on a mantralike quality. Still best known for writing Kids and directing Gummo,
backwater auteur Harmony K
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Brew Views
For its second tribute to film noir, Return to Noirville,
Cinema 21 celebrates the genre’s apex with eight classics, but it also
hops a few decades forward with a trio of neo-noirs. Top among th
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Brew Views
Pigs figure heavily in Upstream Color. In
addition to a scene of a woman cuddling with a piglet, writer-director
Shane Carruth’s sophomore feature also includes swine being bagged for
an unple
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Brew Views
In the JJ-fied Star Trek of today, it’s easy to look upon the pitifully low-budgeted original series and giggle. The episode “Spectre of the Gun,”
Gene Roddenberry’s 1968 nod to the cowboy W
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Brew Views
Just how über ’70s is Daryl Duke’s The Silent Partner?
Elliot Gould (check) stars as Miles, a milquetoast bank teller and
budding lothario (check) who inadvertently provokes the murderous rag
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