Brew Views
Before Sam Raimi got his hands on Spider-Man, he had to make up his own comics to adapt for film. He tried and failed to secure rights to Batman and The Shadow at the end of the ’80s, and from the l
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Brew Views
Paul Thomas Anderson’s The Master is the
film Scientology maybe doesn’t want you to see. But while it makes
deliberate allusions to L. Ron Hubbard’s sci-fi pseudo-religion, that’s
not wh
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Brew Views
In an alternate universe, or in other hands, the 1990 cult creature feature Tremors
would be damned to infamy as a Syfy original movie. This is, after all,
a film about a bunch of gun-loving redne
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Brew Views
“This whole world’s wild at heart and
weird on top,” says Laura Dern’s wayward Southern belle Lula, chest
heaving as jailbird lover Sailor (Nicolas Cage in his Elvis phase) runs
off to r
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Brew Views
Exactly what about cult classic Harold and Maude
spoke to my high-school self? The twisted romance that blooms between a
death-obsessed young man and a life-loving old woman? Saucer-eyed Bud
Cor
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Brew Views
Cumulatively clocking in at a brisk 40 minutes, this year’s Oscar-nominated animated shorts are a uniformly charming bunch. The briefest is the 2-minute, stop-motion Fresh Guacamole, in which inedib
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Brew Views
It’d be weird enough if Don Coscarelli
simply made a film about an elderly Elvis (Bruce Campbell) and JFK
(Ossie Davis, who is decidedly black and not Irish) battling a
resurrected Egyptian mu
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Brew Views
Like most teen movies, The Perks of Being a Wallflower
harvests the raw power of adolescent passion in all its sloppy, horny
glory to craft a cinematic confection that reflects, interprets and
g
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Brew Views
Frederico Fellini’s lucid, semiautobiographical 1963 landmark, 8½,
could be considered the template for filmdom’s self-aggrandizing
tendencies. Suffering from director’s block, Fellini look
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Brew Views
In 1999, Leos Carax’s Pola X landed with such a
resounding commercial and critical thud that, until recently, no one
would hire him. So with nothing to lose, and the financial backing of a
hal
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