Brew Views
Earlier this year, the George Lucas-produced Red Tails
tried (and failed) to tell the inspiring story of the Tuskegee Airmen
by resurrecting the corny, flag-waving 1940s war picture—the exact ki
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Brew Views
Essentially the Ramones’ A Hard Day’s Night, 1979’s Rock ’n’ Roll High School
takes place in a parallel dimension to our own, a Bizarro World where
preppy pretty boys pine after weirdo p
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Brew Views
As if still fueled by all that nose candy at the end of GoodFellas, Scorsese’s desert follow-up Casino
is the highest-grade Marty party, with all the tricks of his middle
period deployed as ofte
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Brew Views
Acolytes in the Church of Eastwood will tell you that Sudden Impact
is not just the Dirty Harry movie that coined “Go ahead, make my day”
for Reagan: No, it’s also the one Clint directed, an
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Brew Views
Rod Serling was all about the heavy-handed allocation of ironic fate, so maybe it was inevitable that the Spielbergian bloat of Twilight Zone: The Movie
would be punished by being remembered only fo
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Brew Views
The story goes that when Howard Hawks was making The Big Sleep,
industry censors said his conclusion was too lenient toward organized
crime. So he asked them to write the ending themselves, and th
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Brew Views
The most lucid movie ever made about the links between
technology, pornography and that shriveled organ called the conscience,
David Cronenberg’s Videodrome is no less traumatizing in
the age
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Brew Views
The really incredible thing about Twin Peaks is that two decades after it aired, despite having all its tricks stolen by The X-Files and Lost and its memory desecrated by The Killing,
despite Ray Wi
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Brew Views
My Beer and Movie partner, Jacques Boyreau, has programmed Predator as follow-up to The African Queen—with
Ahnold as the new Bogie, fighting a faceless jungle. But I suspect most
observers have
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Brew Views
Next month’s The Hunger Games surely won’t open
with Jennifer Lawrence’s head exploding, what with its Twihard
demographic. But Suzanne Collins’ series owes a tremendous debt to Kinji
Fu
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