Performance
Reggie Watts has no idea what he’ll say when he takes the
stage at Helium Comedy Club this weekend. In fact, he won’t until the
moment he actually grabs his mics—one plugged into the speaker,
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Performance
Some Shakespearean purists scoff when
modern scholars mess with their beloved Bard. They turn pointed noses
skyward at deleted lines, and sigh dramatically at contemporary
adaptations’ tendencies
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Performance
Rock ’n’ roll and stage drama haven’t always made the best
of pairings, but, despite a snarling blues-bar-of-the-damned T Bone
Burnett score ably wrangled by live band Outland Prey, The Tooth
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Performance
Seating space: the final frontier.
Rapidly growing and ever more eclectic (though, shall we say, far from
diverse) crowds have overwhelmed the smallish amphitheater within
Northeast Portland’s Wo
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Performance
John Waters is not a good filmmaker by any conventional
measure, but he is relentlessly original. His work cannot be mistaken
for that of another artist. So what happens when you take his most
succ
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A Whitman’s Sampler of new Northwest performances.
Performance
As unlikely as it sounds, Portlanders have many more
opportunities to see the world’s great contemporary performers than one
would normally expect in a city our size. Thanks largely to the efforts
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The once Eugene-centered Oregon Bach Festival ventures north.
Performance
The Oregon Bach Festival began as a small conducting
workshop at the University of Oregon, and has grown into one of
America’s premier classical music festivals, featuring major concerts
with mus
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Performance
Portland Center Stage, inexplicably determined that its
final show of the season pay tribute to a long-deceased blues belter of
dimming celebrity, decided mid-season to shelve the originally schedul
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Performance
Carol Triffle, the co-founder of Imago Theatre, possesses
the strangest sense of humor it has ever been my bemused pleasure to
encounter. While Triffle and Imago are best known for the
family-frien
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