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Animals and Plants (Coho Productions)

Welcome to the Hotel Carolina.


Performance
From the moment viewers enter the theater, stepping over empty pizza boxes and Coors Light cans on the way to their seats, they know this show will take them out of their comfort zones. The set is t   More
 
Wednesday, October 19, 2011 MARIANNA HANE WILES

No Man’s Land (Artists Repertory Theatre)

Harold Pinter and the perversity of poets.


Performance
William Hurt is back in town, performing alongside his old friend Allen Nause in what’s become a regular gig for the Oscar-winning actor. This time—his fourth on Artists Rep’s stage—he’s d   More
 
Wednesday, October 12, 2011 BEN WATERHOUSE

Gem of the Ocean (Portland Playhouse)

This season’s August Wilson is the best yet.


Performance
Having been evicted from its Northeast Portland home by the city—   More
 
Wednesday, October 12, 2011 BEN WATERHOUSE

Electrogals

Bleeps and bloops aren’t just for boys.


Performance
In 1995, Mills College student Heather Perkins was surprised to find herself one of the few women in a graduate electronic-music class. Mills, one of America’s most prominent undergraduate women   More
 
Wednesday, October 5, 2011 BRETT CAMPBELL

Zugzwang (Imago Theatre)

Jerry Mouawad’s madcap caper.


Performance
The thing to keep in mind, as you sit down to see a show at Imago Theatre, is that co-directors Jerry Mouawad and Carol Triffle are basically fearless. Not content to rest on their animal-masked la   More
 
Wednesday, October 5, 2011 BEN WATERHOUSE

Oklahoma! (Portland Center Stage)

Yeeow! Ayipioeeay!


Performance
What kind of protagonist goes around suggesting people commit suicide? What kind of love story ends in a murder trial? For a regular fixture of high-school stages, Rodgers and Hammerstein’s first    More
 
Wednesday, September 28, 2011 BEN WATERHOUSE

The Real Americans (Portland Center Stage)

Conversations over pie with yuppies and yokels.


Performance
Fed up with yuppie brunch and his life in the liberal bubble in general, San Francisco native Dan Hoyle decided he needed to explore the oft-lauded “real America” of the 2008 presidential campa   More
 
Wednesday, September 14, 2011 PENELOPE BASS

Reggie Watts (Helium Comedy Club)

The art of eccentric improv.


Performance
Reggie Watts has no idea what he’ll say when he takes the stage at Helium Comedy Club this weekend. In fact, he won’t until the moment he actually grabs his mics—one plugged into the speaker,    More
 
Wednesday, August 17, 2011 AP KRYZA

The Tempest, or The Enchanted Isle (Bag&Baggage)

Into the Bard’s velvet goldmine.


Performance
Some Shakespearean purists scoff when modern scholars mess with their beloved Bard. They turn pointed noses skyward at deleted lines, and sigh dramatically at contemporary adaptations’ tendencies   More
 
Wednesday, August 10, 2011 AP KRYZA

The Tooth Of Crime (Second Dance) (Contagious Theatre)

Sam Shepard’s rock-’n’-roll homicides.


Performance
Rock ’n’ roll and stage drama haven’t always made the best of pairings, but, despite a snarling blues-bar-of-the-damned T Bone Burnett score ably wrangled by live band Outland Prey, The Tooth    More
 
Wednesday, July 27, 2011 JAY HORTON
 

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