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Cedar Lake Contemporary Ballet Wednesday, May 5

A balletic Swan of a different color.


Performance
A door isn’t just a door in Dutch dancemaker Didy Veldman’s Frame of View. It’s a vehicle to swing from, shimmy over and collapse against. It’s even a source of titillation, wh ...   More
 
Wednesday, May 5, 2010 HEATHER WISNER

Mike’s Incredible Indian Adventure (Portland Center Stage)

A play about a film about a tour of a play.


Performance
In 1999, Mike Schlitt, an actor/director/writer thoroughly in the grip of midlife crisis, was asked by a shady producer to direct a sexed-up, Spice Girls-themed production of Neil Simon’s totall ...   More
 
Wednesday, April 28, 2010 BEN WATERHOUSE

Othello (Artists Repertory Theatre)

Isn’t this a tragedy?


Performance
Othello is among the most emotionally devastating of Shakespeare’s tragedies and tells a dark tale of consuming emotion and radical revenge. And yet, for all its emotional complexity, the sum mo ...   More
 
Wednesday, April 14, 2010 Ben Bateman

Radio Golf (Portland Playhouse and Baseroots Theatre Company)

August Wilson breaks out the war paint.


Performance
With August Wilson’s final, furious denunciation of the assimilation of black America by white culture, Portland Playhouse scores a coup. Radio Golf, directed by co-founder Brian Weaver and co-p ...   More
 
Wednesday, April 7, 2010 BEN WATERHOUSE

How The García Girls Lost Their Accents (Miracle Theatre)

Miracle Theatre brings out Julia Alvarez’s heavy baggage.


Performance
Portland’s stages have seen many adapted novels this season, and it’s become apparent to me that some books do not want to be staged. Such is the case with Miracle Theatre’s producti ...   More
 
Wednesday, March 31, 2010 BEN WATERHOUSE

Trouble In Tahiti (Portland Opera)

Love stings.


Performance
Opera companies tend to be conservative, regularly rotating the same-old same-old, big moneymakers (your Carmens, your Bohèmes, your Traviatas). Portland Opera’s Studio Artists series is ...   More
 
Wednesday, March 24, 2010 BRETT CAMPBELL

4.48 Psychosis (Defunkt Theatre)

After 4.48 I shall not sleep again.


Performance
The last work by the British playwright Sarah Kane, 4.48 Psychosis, aggressively resists staging. Calling it a “play” is misleading—the text names no characters and has almost no sta ...   More
 
Wednesday, March 10, 2010 BEN WATERHOUSE

The 39 Steps (Portland Center Stage)

Is theater just film with dull bits put in?


Performance
In 1915, John Buchan published a novel about spies and cops chasing an innocent man around Scotland. In 1935, Alfred Hitchcock made that novel into a very odd film. In 2006, Patrick Barlow made that f ...   More
 
Wednesday, March 3, 2010 BEN WATERHOUSE

Das Rheingold (Opera Theater Oregon)

Wagner on the beach.


Performance
When an opera company wants to make the leap into the big leagues, it raises millions and stages a Ring cycle. Since its completion in 1874, Richard Wagner’s 15-hour, four-opera cycle based on a ...   More
 
Wednesday, February 17, 2010 BRETT CAMPBELL

American Buffalo (Third Rail Rep.)

Tim True gets angry.


Performance
“Someone is against me,” Teach, a gambler, thief and low-grade thug, bellows as he waves a brass poker, looking for something to smash. This is about 15 minutes into American Buffalo, Davi ...   More
 
Wednesday, February 17, 2010 BEN WATERHOUSE
 

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