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The Submission (Defunkt Theatre)

A play about race tries to pull the trigger.


Performance
“It’s only a bullet if you load the gun with it,” says Danny, a playwright. He’s referring to the N-word, but he might as well be describing the shortcomings of The Submission, a play    More
 
Wednesday, October 23, 2013 REBECCA JACOBSON

Sweet and Sour

CoHo Productions’ The Outgoing Tide.


Performance
CoHo Productions’ The Outgoing Tide digs into hefty stuff: Playwright Bruce Graham tackles the dilemmas faced when a family member has Alzheimer’s disease, along with moral, ethical and em   More
 
Wednesday, October 23, 2013 JENNA GILROY

Detroit (Portland Playhouse)

A suburban nightmare, writ large.


Performance
The streets in the unnamed suburb of Detroit—which is not necessarily set anywhere near the Motor City—evoke light. Ultraviolet Lane. Fluorescent Avenue. Sunshine Way. Lightness, too: Ther   More
 
Wednesday, October 16, 2013 REBECCA JACOBSON

Laughing At Rape In a Crowded Theater

A brief history of the rape-joke debate.


Performance
Last weekend, the Great American Rape Joke Debate finally hit Portland. It’s been a long-boiling controversy in the comedy world: Who can joke about rape and when? These questions have also ra   More
 
Wednesday, October 16, 2013 REBECCA JACOBSON

Sweet and Sad (Third Rail Repertory)

How ’bout them Apples?


Performance
Between each scene in Sweet and Sad, there’s a simple sound effect: a breath. It’s a small sound—a slight inhale, a longer exhale—and easy to miss. It’s also a lovely and poignant touch,   More
 
Wednesday, October 2, 2013 REBECCA JACOBSON

The Revenants

Roll over and play undead.


Performance
Whatever the reasons for our current cultural embrace of the zombie apocalypse, live theater has largely been spared the plague. It is, after all, rather more difficult to convey the specter of    More
 
Wednesday, October 2, 2013 JAY HORTON

Fiddler on the Roof (Portland Center Stage)

Find me a find, catch me a catch.


Performance
“Twenty-eight?!” my friend exclaimed, after I told her the size of the cast for Portland Center Stage’s Fiddler on the Roof, the largest the company has ever corralled. “There aren’t even    More
 
Wednesday, September 25, 2013 REBECCA JACOBSON

Grim and Fischer (The Wonderheads)

Mortality, Mozart and whoopee cushions.


Performance
For Kate Braidwood, masked performance can create true theater magic. The 32-year-old, who makes up half of the Wonderheads (her husband Andrew Phoenix is the other), describes this magic as two   More
 
Wednesday, September 25, 2013 REBECCA JACOBSON

Time Goes On

Our top picks for the final week of PICA’s Time-Based Art Festival.


Performance
After a first week of personal accounts of torture, fierce runway queens, a voguing Antigone, confessional pop music, giant whisklike sculptures, penis manipulation and attempts at twerking both   More
 
Wednesday, September 18, 2013 WW Culture Staff

The Big Meal (Artists Repertory Theatre)

A deeply satisfying onstage feast.


Performance
How much time do we spend around the dining-room table? What portion of our lives is measured in meals? Can the entire scope of a life—from first dates and holiday gatherings to engagements an   More
 
Wednesday, September 18, 2013 PENELOPE BASS
 

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