Album Reviews
[PSYCH ROCK] You’d never know Viva Voce had such a
tumultuous recent history—the duo of Kevin and Anita Robinson has had
side projects, full-band experiments and label switches since 2009—from
More
Album Reviews
[BIG BEAT FROM STUMPTOWN] As much as I loved Mattress,
something about Rex Marshall’s basso profondo voice never seemed to jibe
too well with that band’s lo-fi electronic leanings. But with his
More
Album Reviews
[ONE-MAN POP BAND] Sometimes a little love gets you
further than a lot of polish. So while it sometimes sounds like the
technology on Quiet Countries’ third disc, The Ancient Motorcade—loop
ped
More
Album Reviews
[ROOTS-ROCK COCKTAIL] If opening tracks are meant to
forecast an album’s mood, then “Long Fall,” the first cut off Redwood
Son’s two-disc debut effort, The Lion’s Inside, signals clear
sk
More
Album Reviews
[FRESH HIP-HOP] Northwest hip-hop is most often derided
for lacking a distinct regional aesthetic. But the Sandpeople crew—and
by extension, iAMe, one of its premier MCs—has a sound. The squad r
More
Album Reviews
[THE PIANO INFLATES] Good piano balladeers are hard to
find these days. Though squealing synthesizers pimple a guitar-riddled
indie-music landscape, acoustic pianos are markedly less popular. But
p
More
Album Reviews
[THROWBACK HIP-HOP] Animal Farm’s key demographic is
hip-hop fans who are sick of hip-hop bullshit. It’s a hungry market, as
evidenced by the Portland squad’s formidable success on college mus
More
Album Reviews
[EXPERIMENTAL FLUTTERINGS] Tara Jane O’Neil is that rare
musician who always sounds like she’s searching for new modes by which
to express her overwhelming
supply of artistic ideas. While
More
Album Reviews
[CINEMATIC POST-ROCK] Local music
obsessives who pore over the liner notes of their LPs and CDs will
probably recognize the name of Jay Clarke. Since moving to Portland, he
has been a member of the
More
Album Reviews
[SHOW-TUNE TWEE] New Century Schoolbook is an orchestral
pop quintet composed of what I suspect are ex-drama students. They are
literary and enamored of the twee-er edges of pop, and they express
t
More