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Album Review: Richmond Fontaine

The High Country (El Cortez)


Album Reviews
[LIT-COUNTRY] More than five minutes pass on Richmond Fontaine’s new, 10th album, The High Country, before Willy Vlautin’s voice is heard. His singing voice, that is; it’s clear from the openi   More
 
Wednesday, October 5, 2011 JEFF ROSENBERG

Album Review: Death Songs

Self-Titled EP (Post-Consumer)


Album Reviews
[ACOUSTIC WORLD-POP] The disconnect between the band name “Death Songs” and the sunny, celebratory music made under the moniker is something not lost on Nick Delffs. The instantly recognizable D   More
 
Wednesday, September 28, 2011 CASEY JARMAN

Album Review: Old Growth

Out of the Sand and Into the Streets (Bakery Outlet)


Album Reviews
[PRE-GRUNGE] Upon dropping his band’s new album by the WW office, Old Growth co-frontman John Magnifico noted disparagingly that Out of the Sand and Into the Streets was recorded quickly and under    More
 
Wednesday, September 21, 2011 CASEY JARMAN

Album Review: Nurses

Dracula (Dead Oceans)


Album Reviews
[PSYCHEDELIC POP] On 2009’s Apple’s Acre, Nurses sounded like a gang of tykes who had snuck off to their parents’ basement and recorded an album after the babysitter fell asleep. Think an ava   More
 
Wednesday, September 21, 2011 MATTHEW SINGER

Album Review: Blitzen Trapper

American Goldwing (Sub Pop)


Album Reviews
[WEIRD AMERICANA] Blitzen Trapper tends to write checks, in its opening songs, that its albums don’t care to cash. That was the case with the proggy opener to last year’s Destroyer of the Void,    More
 
Wednesday, September 7, 2011 CASEY JARMAN

Album Review: YACHT

Shangri-La (DFA Records)


Album Reviews
[DISCO INFERNO] The fifth album by the discofied pop outfit YACHT is also the second to feature a solidified lineup of leader Jona Bechtolt with ingénue/foil Claire Evans. Not that she follows Bec   More
 
Wednesday, September 7, 2011 ROBERT HAM

Album Review: Big Black Cloud

Shitty Vibrations (Stankhouse)


Album Reviews
[FUZZ BOMBS] As its mid-career name change might imply, Big Black Cloud (formerly “Here Comes a Big Black Cloud!”) isn’t the same band it was while soundtracking summer house shows with its c   More
 
Wednesday, August 31, 2011 CASEY JARMAN

Album Review: Vanimal

Self-Titled EP (Self-Released)


Album Reviews
[SLICK SYNTH-POP] O come, all ye corporate America heatseekers, I have the perfect 30-second snippet for your next iPad/Target/Electric car ad. “Lift Me Up,” the opening track from Vanimal’s    More
 
Wednesday, August 31, 2011 CASEY JARMAN

Album Review: Doubleplusgood

Here They Come, The Birds Of My Youth (Sohitek)


Album Reviews
[ELECTRONIC POP] The air of romantic and erotic longing that presides over Doubleplusgood’s latest CD might be hard to breathe in without some effort. This drums-and-electronics duo doesn’t push   More
 
Wednesday, August 24, 2011 ROBERT HAM

Album Review: Mattress

Lonely Souls EP (Field Hymns)


Album Reviews
[DARK ELECTRONICS] Most bands go for the lapel grab, insisting on your attention from the first notes of the first song of a live set or album. The rare and often more interesting bands prefer to s   More
 
Wednesday, August 24, 2011 ROBERT HAM
 

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