Movie Reviews & Stories
Watching the glorious spectacle that is James Franco feels
like watching a great con man. Here’s a proven movie star who made an
art film re-enacting the Al Pacino leather-daddy sex thriller Cru
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The Last Exorcism Part II and Hollywood’s appetite for deception.
Movie Reviews & Stories
Apparently, one last go-around isn’t enough. At least that’s what this weekend’s debut of The Last Exorcism Part II: The Exorcisming
seems to imply (it wasn’t screened for critics, or actual
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Movie Reviews & Stories
Jack and the Beanstalk is one of
the few English folktales Americans know by heart. A peasant boy sells
his abusive guardian’s livestock for some beans, the beans get wet, a
beanstalk grows, a
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Saying goodbye to murderous tourists and horny priests.
Movie Reviews & Stories
The Portland International Film Festival has aged quickly.
Two short weeks ago, desperate young people fought for their identity.
Last week, PIFF endured the slow burn of middle age. What greets u
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Movie Reviews & Stories
If the Portland International Film Festival is a night out
drinking, it’s time to rally. Though PIFF’s second week includes some
real drags, keep the tab open: You’ll also find a few excepti
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Movie Reviews & Stories
Infuriating, tragic, heartbreaking and incendiary in equal measures, Portland filmmaker Brian Lindstrom’s Alien Boy: The Life and Death of James Chasse
is a documentary that plays out like a horro
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PIFF will set the world on fire, and burn brighter than the sun.
Movie Reviews & Stories
Being a kid is tough these days. Whether children are
being unfavorably compared to that hilarious little Honey Boo Boo,
stripping down to their SpongeBob underwear for a search at elementary
sc
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Movie Reviews & Stories
Warning: Steven Soderbergh’s new film may cause anxiety,
frustration, terror, temporary memory loss, episodes of euphoria,
Hitchcockian feelings of nostalgia, numbing, exhilaration, dread and
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Christopher Walken and Al Pacino go slumming in Stand Up Guys.
Movie Reviews & Stories
Europe is considerably kinder to its elder statesmen—at
least where cinema is concerned. Michael Haneke’s dissection of
octogenarian love, Amour, is a lock for the foreign-language Oscar, with
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