On
Monday, before announcing its 2011-2012 season last night to a crowd of dance lovers at its Southeast Portland studio,
Oregon Ballet Theatre
heightened the dramatic tension by asking its Facebook fans to guess what might
be in store.
Romeo and Juliet, Don
Quixote and
Coppelia were top
picks (
honorable mention goes to the as-yet unballetified Harry and the Hendersons), but no.
Instead,
the new season, dubbed
“Affairs of the Heart” will open this fall with a world-premiere double bill featuring
fiery factory girls and sad clowns: OBT artistic director
Christopher Stowell
turns in a new
Carmen alongside
Nicolo Fonte’s new
Petrouchka.
Depending on your tastes, the season’s biggest excitement might be that
particular pairing, or it might be the staging of uber-classical Romantic-era
ballet
Giselle, set by Spanish
choreographer
Lola de Avila in the Coralli/Perrot style. Or it might be
the
return of Dance United on June 9, 2012, again starring dancers from different
national—perhaps even international—companies.
Meanwhile,
Holiday Revue, which debuted this December (
read my review for WW, here), will return with new
variations, danced in tandem with
The
Nutcracker. That leaves a spring program featuring a thus-far unannounced
work, a rerun of
Val Caniparoli’s Lambarena
and company premieres of
Balanchine’s Stravinsky
Violin Concerto and Liturgy by
Christopher Wheeldon, whom Stowell rightly called one of the hottest
dancemakers working today. If you were holding out for
Harry and the Hendersons, well, there’s always 2013.