Arts & Books Getting into Mike Daisey’s epic, 24-hour monologue, All the Hours in the Day, was a lot of like boarding a really popular Disneyland ride. Long lines snaked all over Washington High School, and I passed four checkpoints before even making it to the lines. On the way I got my left wrist stamped with a jack o’lantern image and a grey wristband affixed to my right wrist and my ID checked twice.
But Andrea Stolowitz, Kate Bredeson and I snagged excellent close-up seats and settled in for a good hard sit on ancient auditorium chairs. We were the lightweights, however; along the sides of the auditorium, along the first floor’s side exits, were the True Believers: people with coolers, folding chairs and sleeping bags.
And then it starts. Promptly at 6 pm, words are projected onto an onstage screen: The Hour We Begin to Speak.
We all scream. And out comes Mike.
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