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Live Review: Sydney Dance Company, 2 One Another

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As strides in technology connect us ever more seamlessly, we somehow grow increasingly isolated. Arguments about how texting and Facebook contribute to loneliness are making their rounds, ironically enough, in social media (See here,    More
 
Thursday, October 24, 2013 by AARON SPENCER

Live Review: Oregon Ballet Theatre, Dream

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Under the tutelage of new artistic director Kevin Irving, Oregon Ballet Theatre presented two very different pieces Saturday night. Dream, the season opener for Oregon’s premier dance company, has something old and something new. The show opens with Nacho Duato’s Por Vos Muero, a contemporary contribution from Irving who has ties with the ...   More
 
Monday, October 14, 2013 by AARON SPENCER

Live Review: Compagnie Maguy Marin, Salves

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Americans, and as dance presenter White Bird showed last night, apparently the French, have a preoccupation with the apocalypse. Even if you’re not the in the 41 percent of Americans who believe in an imminent rapture, media and pop culture constan...   More
 
Friday, October 11, 2013 by AARON SPENCER

Punk de Bourrée

How ballet and punk rock keep a Wisconsin farm boy from flying off the rails.


Dance
Growing up, Michael Linsmeier milked cows in rural Wisconsin. His family lived in a town of 1,600 people along the shores of Lake Michigan and grew half the food they ate. Linsmeier spent most o   More
 
Wednesday, October 9, 2013 AARON SPENCER

TBA Diaries: Laura Arrington and Jesse Hewit, Adult

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Laura Arrington wrote on her blog that she's not worried about her work Adult making sense. That's good—because it doesn't. For the piece, now at PICA's Time-Based Art Festival, Arrington draws from a number of inspirations about mortality and the meaning of life. I won't get into ...   More
 
Wednesday, September 18, 2013 by AARON SPENCER

TBA Diaries: Lola Arias, The Year I Was Born

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Lola Arias’ El año en que nací (The Year I Was Born), whose run at the Time-Based Art Festival closed last night, has been getting rave reviews. Mine won’t be the exception. But I have to say the obvious: I would have enjoyed it a lot more if I spoke Spanish.
The play, directed by Lola Arias, recounts the true stor...   More
 
Monday, September 16, 2013 by AARON SPENCER

TBA Diaries: Critical Mascara: A Post-Realness Drag Ball

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Drag queen Carla Rossi opened Time-Based Art’s Critical Mascara in a video projected onto the screen behind the stage. Covered in her trademark white makeup and Leigh Bowery-esque eye shadow, she explained what this “post-realness drag ball” was supposed to be: “It’s like Paris Is Burning,” she said, referring to the 19...   More
 
Sunday, September 15, 2013 by AARON SPENCER

Seat Slasher Targeting Motorcycles in Alberta, Buckman

Someone is cutting square chunks out of seats.

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A motorcycle seat slasher has Portland's motorcycle community in an uproar. Starting about two weeks ago, motorcycle owners say seats of bikes left on the street at night have been slashed, many of them with an odd, square cutout. “It seems like some somebody is doing it to have some sort of souvenir,” said Joshua Stenseth, who woke up Wednesday to find a patch removed from the sea...   More
 
Wednesday, September 11, 2013 by AARON SPENCER

Dance Review: Alchemy (Lindsey Matheis)

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The 23-year-old guy sitting next to me at Alchemy, which showed this past weekend, said he came to experience more culture and to open his mind to new things. I hear this kind of thing all the time from young people: They like the idea of seeing dance, but when Friday night rolls around, those good intentions dissipate into another n...   More
 
Monday, September 9, 2013 by AARON SPENCER

Alchemy (Lindsey Matheis)

Dance dance revolution.


Dance
Lindsey Matheis is trying to reinvent the way Portland does dance—at least this weekend. That she’s attempting it at all is surprising, considering her quiet, agreeable manner. “It’s not   More
 
Wednesday, September 4, 2013 AARON SPENCER
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