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Cut of the Day: Deer or the Doe, "Descriptions," Tonight We Love You

dod

It starts like jazz, which I like.
Deer or the Doe knows how to build atmosphere, but it also knows how to thrash as if the better parts of the mid-'90s underground never left. And after that build-up, everything about descriptions gets all Mascis and Bachmann, blasting and rumbling. I like that the never-ending-guitar-solo of a lead jets upward, and I like that it's never allowed to break free...   More
 
Tuesday, May 8, 2012 by CASEY JARMAN

Lotus Plaza: Monday, May 7

Dreamboat/Deerhunter Lockett Pundt takes his newly epic show on the road.


Music Stories
[UNCHAINED MELODIES] The idolization of handsome young male musicians is not the sole province of Beatlemania, Tiger Beat magazine or the Jonas family. Lockett Pundt, Lotus Plaza’s frontman and a    More
 
Wednesday, May 2, 2012 CASEY JARMAN

Primer: Mahmoud Ahmed


Music Stories
Born: 1941 in Addis Ababa, Ethiopia. Sounds like: The most heartfelt, amazing love letter imaginable in a language you probably don’t understand. For fans of: Aster Aweke, Mulatu Astatke, The Eith   More
 
Wednesday, May 2, 2012 CASEY JARMAN

Album Review: Iame

Lame$tream (Self-Released)


Album Reviews
[HEAVY HIP-HOP] Sandpeople’s Iame has gone through some fascinating changes in the past two years. Physically, he’s almost unrecognizable, having lost considerable weight after cutting alcoh   More
 
Wednesday, May 2, 2012 CASEY JARMAN

Doin’ The Derb

You’re not rich, but on Kentucky Derby day, you can act like it.


Headout
Horse races, like sex, are about mostly anticipation. And while the Kentucky Derby—like sex—only lasts two minutes, the elaborate celebrations around racing’s biggest event last all day. O   More
 
Wednesday, May 2, 2012 CASEY JARMAN

LocalCut's Half-Assed Sandpeople Week Concludes

sandpeople

This is a second draft. I began this post with a long essay called Why Sandpeople Matters. It talked about race, DIY culture and Portland's reluctance to embrace locally grown hip-hop. I still think there's a piece to be written, but maybe it's bigger than me. I'm no ambassador to the local hip-hop scene. There's plenty I am unaware of and plenty of stuff I just plain don't like. So all I really w...   More
 
Friday, April 27, 2012 by CASEY JARMAN

Cut of the Day: Sandpeople, "The P"

show_tralbum_art

Last week I said on Twitter that this would be "Sandpeople Week." Now, admittedly, this has been the worst Sandpeople week ever. But lets get the ball rolling again.
During Illmaculate's opening set for Slaughterhouse last week, the Sandpeople MC talked at length about the importance of taking the Portland flag and "planting it all around the world." That's exactly what his supergroup, Sandpeop...   More
 
Thursday, April 26, 2012 by CASEY JARMAN

The Trip

How an old Chevy, the Army and Art Blakey made Cedar Walton’s career.


Music Stories
Some people go to New York to be discovered. When jazz pianist Cedar Walton drove his Chevy across the country to get there in 1955, it was for anonymity. “Everybody knew me in Dallas,” he rec   More
 
Wednesday, April 25, 2012 CASEY JARMAN

Mic Check: Esperanza Spalding


Music Stories
Esperanza Spalding is a popular woman. The bassist/singer/composer will tour at least 10 countries this summer after wrapping up the lengthy U.S. trip that brings her back to her hometown of Por   More
 
Wednesday, April 25, 2012 CASEY JARMAN

Allen Stone is a Soulful Dude. Wanna See Him for Free?

allenstone

The Soul'd Out festival has been a blast thus far. I've seen Maze (and, perhaps not coincidentally, the most black people I've ever seen in Portland); I've seen Slaughterhouse (and their insanely devoted crowd); I've seen AfroMassive jammed into the basement at Goodfoot and last night I saw a downright inspiring set of ska standards from the Skatalites. Damn! Am I forgetting anything? 
Wel...   More
 
Thursday, April 19, 2012 by CASEY JARMAN
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