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Publication Studio: Fast Food For Thought

A nimble new paradigm for small-press publishing.


Books
If you run in certain circles, you hear it every day: The publishing houses are dying, and books are therefore dying. Writers, we presume, are all also dying. The    More
 
Wednesday, February 9, 2011 MATTHEW KORFHAGE

Keeping It All Together

A WW reporter visits the organizers expo and decides to be a slob.


Culture
In Todd Haynes’ 1995 film Safe, a housewife played by Julianne Moore finds herself suddenly all too susceptible to the byproducts and complications of modern life; power lines buzz ominously outs   More
 
Wednesday, February 2, 2011 MATTHEW KORFHAGE

Meet Me In Senegal

The Cascade Festival of African Films expands our cinematic horizons.


Screen
Africa is not a continent terrifically well known for its cinema: The money isn’t really there, and many of its countries are constantly in violent flux. But that very instability and unfamiliarit   More
 
Wednesday, February 2, 2011 MATTHEW KORFHAGE

Drink 2011: Leisure Public House


Drink
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Tuesday, January 25, 2011 MATTHEW KORFHAGE

Drink 2011: Lion's Eye Tavern


Drink
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Tuesday, January 25, 2011 MATTHEW KORFHAGE

Drink 2011: Mary's Club


Drink
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Tuesday, January 25, 2011 MATTHEW KORFHAGE

Drink 2011: 4-4-2


Drink
 “What can I get nice people today?” This is Muhamed Mujcic-Mufko, owner of 4-4-2, a new Bosnian soccer bar he’s opened up in his old Taste of Europe market space on Southeast Hawthorne Boulevard.   More
 
Monday, January 24, 2011 MATTHEW KORFHAGE

Drink 2011: Yen Ha Lounge


Drink
 Yen Ha Lounge would maybe be just a poor man’s acetone-stiff-drink dive bar—which it is, anyway, in the daytime—were it not for some serious perks.   More
 
Monday, January 24, 2011 MATTHEW KORFHAGE

Drink 2011: The Spare Room


Drink
The Spare Room—as its name helpfully implies—was once a bowling alley, but has become in the meantime the cavernous clearinghouse for every single old, true, good feeling of the Killingsworth-Fremont district, a repository for the contentedly lost and literary-articulate America that Tom Waits always sang about.   More
 
Monday, January 24, 2011 MATTHEW KORFHAGE
 

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