44 years after publication, Ursula K. Le Guin’s The Left Hand of Darkness still feels radical—and now it has become a play.
In 1969, gender was a fixed concept. The world didn’t know
Boy George, David Bowie or Annie Lennox. There were no how-to websites
for pursuing ambiguous gender expression. Jeffrey Eugenides hadn
Is love more like a fish stew or a Phil Collins song?
Hand2Mouth wants you
to consider this in its newest experimental offering, which pings
between schmaltzy representations of movie love