Rainy autumn skies have arrived in Portland, but inside the Laura Russo Gallery, spring is still in full bloom. In Tom Cramer’s Continuum and Sherrie Wolf’s Stills,
flowers take center stage.
It’s a rare artist who invigorates not one but two fusty
tropes—landscapes and floral still lifes—with jolts of fresh spunk.
Sherrie Wolf can, and in Looking Back: New Paintings, she proves