Turbulence/Le Cargo

Getting political in week two of the Time-Based Art Festival.


Dance
Recent financial upheaval and the roller-coaster ride of the ongoing culture wars feed Keith Hennessy’s Turbulence. Hennessy and his contemporary dance-theater outfit, Circo Zero, mine Wall Stre   More
 
Wednesday, September 12, 2012 HEATHER WISNER

TBA Diaires: Brainstorm and Sahel Sounds, Global and Mobile Pop

globalpop

Arts & Books
Walking into the world of TBA:12 for the first time was a rather disorienting. The beefy security guards seemed far too on edge for an arts festival. And the staff and volunteers carried the harried and exhausted look in their eyes that I remember seeing in the mirror during the first few months of my son’s life. Smile as they might, you could tell the late nights, and the care and feeding of this ...   More
 
Tuesday, September 11, 2012 ROBERT HAM

TBA Diaries: Big Art Group, The People—Portland

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Arts & Books
Big Art Group's The People—Portland was the first official performance in the Time-Based Art festival—at 8:30 p.m. on Thursday, September 6, at Washington High School—but it was not the first performance art piece of the day. Two hours earlier, at the city council meeting on fluoridation, a woman with a somewhat ill-favored look addressed the Portland city council as someone who was against ...   More
 
Friday, September 7, 2012 MATTHEW KORFHAGE

TBA Diaries: Miguel Gutierrez, Heavens What Have I Done

 Miguel Gutierrez

Arts & Books
If you have plans to see Heavens What Have I Done tonight or tomorrow, Miguel Gutierrez probably wants you to stop reading this. Gutierrez is an advocate of audience members entering performances blindly. He dislikes programs, and he dislikes papers about the “meaning” of his work. Does Gutierrez want to read a graduate student’s analysis of his performance? No. Like everyone else, he says, he’d ...   More
 
Saturday, September 8, 2012 REBECCA JACOBSON

TBA Diaries: Nora Chipaumire, Miriam

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Arts & Books
Miriam, a world premiere from Zimbabwean choreographer Nora Chipaumire, is dark. Not gloomy or sinister—no, this is a performance genuinely devoid of light. As a result, it can be difficult to make out what exactly is happening onstage, what Chipaumire and fellow dancer Okwui Okpokwasili are wearing, what sorts of props they’re handling. Occasional flashes of light break the darkness—one of the ...   More
 
Saturday, September 8, 2012 REBECCA JACOBSON

TBA Diaries: Ten Tiny Dances

tentiny

Arts & Books
The 10-year-old event Ten Tiny Dances at Washington High School at 8:30 pm this past Saturday, September 8, was this year as it always has been: inconsistent, often frustrating and spiked with ever-so-occasional moments of transcendent hilarity or beauty.The premise, for those unfamiliar: 10 different dancers or companies are invited to perform a short dance on a tiny 4-foot-by-4-foot stage. It's ...   More
 
Monday, September 10, 2012 MATTHEW KORFHAGE

End Things

The challenge of visual arts at TBA.


Visual Arts
On this yearlong eve of the Mayan apocalypse, as we bury our faces in digital displays, what is the relevance of the old-fashioned objet d’art? Can it engage the mind and uplift the spirit? Kris   More
 
Wednesday, September 5, 2012 RICHARD SPEER

Miriam/The Quiet Volume

Previews for week one of PICA’s Time-Based Art Festival.


Performance
Nora Chipaumire is a force of nature. The Zimbabwe-born, New York City-based choreographer has a style both visceral and regal, evoking a powerful and charismatic bird of prey. Chipaumire’s crea   More
 
Wednesday, September 5, 2012 REBECCA JACOBSON

Scoop: Pizza Schmizza Says it Doesn't Suck Anymore

Two slices of piping-hot gossip.


Scoop
SUCK IT: Pizza Schmizza founder Andre Jehan has taken down a sign that said “Schmizza doesn’t suck anymore” after complaints from his building. Jehan resumed control of the pizza joint at th   More
 
Wednesday, May 30, 2012 WW Culture Staff

TBA Diary: Another Mike Daisey Survivor

tba mike daisey all the hours

Arts & Books
It is a common trope that reading is really the only art that requires skill from its audience; this is one of the reasons that the audience for serious literature will always be limited, whatever the countless perky entreaties of high school librarians. But in his 24-hour monologue, All the Hours of the Day, Mike Daisey demanded something even rarer than skill or education: he asked of his audience ...   More
 
Tuesday, September 20, 2011 MATTHEW KORFHAGE

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