Album Review: Bombs Into You

Shake (Self-Released)


Album Reviews
[HOUSE-PARTY ELECTRO-POP] Some music just sounds like it’s meant to be played in a basement. On its previous EPs, Portland three-piece Bombs Into You created grungy, electronic house-party mus   More
 
Wednesday, December 18, 2013 KAITIE TODD

Album Review: Various Artists

George Jones (Tribute Album) (Deer Lodge)


Album Reviews
[JONESIN’ FOR GEORGE] The late George Jones was a troubled man. By the 1970s, the country great was known as much for his crippling addictions, visits to the psych ward, occasional high-speed    More
 
Wednesday, December 18, 2013 BRANDON WIDDER

Album Review: Genders

Get Lost (Self-Release)


Album Reviews
[CLOUDY GUITAR POP] On its previous EPs, the spirit of Portland’s Genders lived on the border of Oregon and California, its ’90s-gazing guitar pop drifting from sunshine to shadow. For debut full-length Get Los   More
 
Wednesday, December 4, 2013 MATTHEW SINGER

Album Review: Fanno Creek

Monuments (SoHiTek)


Album Reviews
[INDIE FOLK POP] If you think you’ll learn all there is to know about the musicians of Fanno Creek by listening to the first few minutes of their debut album, Monuments, you’re wrong.     More
 
Wednesday, December 4, 2013 KAITIE TODD

Album Review: Sons Of Huns

Banishment Ritual (Easy Rider)


Album Reviews
[STONER METAL] They probably won’t take this as a compliment, but Sons of Huns really are a bunch of charmers. That’s sort of the nature of being a metal band in Portland. This ain’t exactly   More
 
Wednesday, November 20, 2013 MATTHEW SINGER

Album Review: Adventure Galley

Anywhere That’s Wild (Internet Piracy)


Album Reviews
[GLOW WAVE] At first, you would’ve been hard-pressed to make any connections between Portland sextet Adventure Galley and Arcade Fire. But when Win Butler and company reinvented themselves earli   More
 
Wednesday, November 20, 2013 MARK STOCK

Album Review: The Ocular Concern

Sister Cities(PCJE)


Album Reviews
[WORLDLY JAZZ] The title of the Portland jazz ensemble’s new album is a little misleading. Composer-pianist Andrew Oliver’s four-movement suite—which adds top classical musicians, some fro   More
 
Wednesday, October 30, 2013 BRETT CAMPBELL

Album Review: The Parson Red Heads

Orb Weaver (Fiesta Red)


Album Reviews
[FOLKISH PSYCH POP] Nineteen seconds of bright, delicate guitar strums and the warbling cry of the Great Northern Loon is one way to start an album. It’s fitting, though, given that the Parson R   More
 
Wednesday, October 30, 2013 BRANDON WIDDER

Album Reviews: Strategy

“Clocky Man”/“Snowdrift Dub” 7-Inch (ZamZam)


Album Reviews
[DUB TECHNO] Strategy’s strategy is usually pretty clear: Fuse dub, techno, house and ambient music together using analog synthesizers, then get weird. Paul Dickow, aka Strategy, has kept the    More
 
Wednesday, October 23, 2013 MITCH LILLIE

Album Review: Quiet Life

Wild Pack (Mama Bird Recording Co.)


Album Reviews
[RUST-BELT POP ROCK] Quiet Life’s “San Luis Obispo” is a carefree slice of twanged-out Americana, bustling with tight, countrified swagger and Tom Petty-ish guitar. It exemplifies the Po   More
 
Wednesday, October 23, 2013 BRANDON WIDDER

0|4
 

Web Design for magazines

Close
Close
Close