Arabian Nights (Post Five Theatre)

A whole new world, replete with fart jokes.


Performance
Before Arabian Nights begins, Post Five’s performers move about the theater. Clad in harem pants and embroidered vests, they squeeze into black vinyl pews, wrapping an arm around an audience m   More
 
Wednesday, April 3, 2013 REBECCA JACOBSON

Three Days of Rain (Defunkt Theatre)

Their father’s hell did slowly go by.


Performance
The architect Ludwig Mies van der Rohe was famous for the aphorism “Less is more.” Though his design was guided by an abstract philosophy, his steel-and-glass buildings were outwardly simple a   More
 
Wednesday, February 27, 2013 REBECCA JACOBSON

The Velvet Sky (Theatre Vertigo)

Sweet dreams ain’t made of these.


Performance
Bethany Palmer hasn’t slept in 13 years, not since her son Andrew was born. Fearing a ghoulish Sandman she believes is out to steal Andrew’s eyes, she stays up all night nervously knitting s   More
 
Wednesday, February 20, 2013 REBECCA JACOBSON

Venus in Fur (Portland Center Stage)

No one gets away until they whip it.


Performance
Fifty Shades of Grey reduced sadomasochism to handcuffs and spanking. Venus in Fur—while not devoid of dog collars and riding crops—throws into question such simple ideas of control and compli   More
 
Wednesday, February 6, 2013 REBECCA JACOBSON

The Huntsmen (Portland Playhouse)

A doo-wop revue, with a side of murder.


Performance
Devon, the central character in The Huntsmen, is an awkward and fidgety teen, the vice president of his high school’s glee club and the child of divorced parents—his father is a lawyer and h   More
 
Wednesday, January 23, 2013 REBECCA JACOBSON

I Love to Eat (Portland Center Stage)

Portland’s proto-foodie dishes up less than a satisfying meal.


Performance
Opera music booms and steam spills out from beneath the giant onstage refrigerator as I Love to Eat begins. As the song builds and steam obscures the floor, James Beard (Rob Nagle) strides out of    More
 
Wednesday, January 16, 2013 REBECCA JACOBSON

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