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Album Reviews
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The Montavilla Jazz Festival Reveals Its 2023 Lineup
By
Bennett Campbell Ferguson
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May 26, 2023 at 6:24 pm PDT
Show Review: Billy Woods at Polaris Hall
By
Robert Ham
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May 23, 2023 at 5:01 pm PDT
Shows of the Week: Tinariwen Brings Desert Blues to Portland
By
Daniel Bromfield
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May 23, 2023 at 4:59 pm PDT
Jeffrey Silverstein Has Entered a New Galaxy of Country Music
By
Daniel Bromfield
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May 23, 2023 at 4:51 pm PDT
Air Conditioning Failure at Arlene Schnitzer Concert Hall Adds to Mounting Trouble for Oregon Symphony
By
Bennett Campbell Ferguson
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May 18, 2023 at 2:58 pm PDT
Show Review: Lucrecia Dalt at Mississippi Studios
By
Robert Ham
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May 17, 2023 at 12:19 am PDT
Shows of the Week: There’s Nowhere to Hide From Cheekface’s Dystopian Unease
By
Daniel Bromfield
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May 16, 2023 at 4:18 pm PDT
Bill Callahan Reveals the Story Behind His New Album’s Artwork and an Unexpected Vocal Guest Star
By
Michelle Kicherer
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May 16, 2023 at 4:17 pm PDT
Former Oregon Symphony Conductor Carlos Kalmar Faces Title IX Investigation
By
Bennett Campbell Ferguson
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May 12, 2023 at 11:12 pm PDT
Show Review: KOKOKO! at Holocene
By
Robert Ham
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May 09, 2023 at 5:37 pm PDT
Shows of the Week: Molchat Doma Brings Beautifully Unfriendly Skies to Portland
By
Daniel Bromfield
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May 09, 2023 at 5:33 pm PDT
Why Spoon Benders’ Katy Black Wants to Stay Uncomfortable
By
Michelle Kicherer
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May 09, 2023 at 5:31 pm PDT
Show Review: Rich Halley 4 With Tim DuRoche
By
Robert Ham
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May 02, 2023 at 6:01 pm PDT
Portland’s Forty Feet Tall Talks Experimenting, Expanding and Touring
By
Michelle Kicherer
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May 02, 2023 at 5:59 pm PDT
Shows of the Week: No One Does Exquisite Queer Anguish Like Xiu Xiu
By
Daniel Bromfield
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May 02, 2023 at 5:58 pm PDT
See more