Gallery-goers are hard to shock these days
WW
kicked out
According to Place gallery director Gabe Flores, edgy programming raised the ire of the mallâs management company, General Growth Properties, leading the company to terminate Placeâs lease as of March 31.
Although mall spokesperson Sandra Rollinson has not responded to WWâs questions, Flores is convinced the lease was terminated because of beyond-the-pale exhibitions heâs mounted at the gallery. Among these were John Doughertyâs Shit Balloons, which used dog poop as an art medium, and Michael Reinschâs performance piece, A High Improbability of Death: A Celebration of Suicide, in which the artist read a suicide note aloud and simulated the act of hanging himself. On Placeâs website, Flores has reproduced what he says is correspondence between himself and the mallâs general manager, Bob Buchanan. Flores believes Buchanan was motivated by concerns that the galleryâs content could disturb shoppers and other merchants.
Well, duh.
Well, duh.
Even in a progressive town like Portland, the people who shop at Forever 21 or Louis Vuitton are not necessarily the same people who seek out confrontational art about scatology and suicide. Itâs easy for contemporary-art scenesters to forget that not everybody is inured to shock value. Not everyoneâs memory stretches back to the avant-garde movements of the early 20th Century; to Yves Klein using naked women as âliving paintbrushes;â to the Fluxus happenings of the 1960s and 70s; or to photographers like Sally Mann, Jock Sturges, Robert Mapplethorpe and Nan Goldin, all of whom used nude models to varying degrees of transgressiveness.
And few people outside the cognoscenti have their fingers on the pulse of more recent shows that have pushed proverbial envelopes, such as Paul McCarthyâs WS last summer in New York City, which included, among other things, a stylized rape of a character based on Snow White. Most people donât go to the mall to confront taboos and psychosexual bogeymenâthey just need a new hoodie.
The other galleries on the mallâs third floor seem to get this implicitly. Peopleâs Art co-directors Chris Haberman and Jason Brown issued a joint statement Tuesday saying: âWe are above an Apple store and a Baby Gap... We have made it our mission to make art more accessible without alienating anyone. Though we do exhibit challenging themes and topics, it is not necessarily our focus or main agenda... We love all types of art, but we are working within the public realm, trying to keep it hip and tasteful at the same time.â
A complicating but very relevant factor to keep in mind is that the galleries at Pioneer Place have their rents subsidized by General Growth Properties. Gabe Flores says he was responsible only for paying utilities at Place PDX. So crying foul of artistic censorship doesnât quite ring as true as it would if a gallery owner is paying market price for exhibition space.
The other galleries on the mallâs third floor seem to get this implicitly. Peopleâs Art co-directors Chris Haberman and Jason Brown issued a joint statement Tuesday saying: âWe are above an Apple store and a Baby Gap... We have made it our mission to make art more accessible without alienating anyone. Though we do exhibit challenging themes and topics, it is not necessarily our focus or main agenda... We love all types of art, but we are working within the public realm, trying to keep it hip and tasteful at the same time.â
A complicating but very relevant factor to keep in mind is that the galleries at Pioneer Place have their rents subsidized by General Growth Properties. Gabe Flores says he was responsible only for paying utilities at Place PDX. So crying foul of artistic censorship doesnât quite ring as true as it would if a gallery owner is paying market price for exhibition space.
If youâre getting free rent, it might behoove you to pay attention to your landlordâs sensitivities. These are big issues with long histories: self-expression versus decorum, artistic merit versus popular taste, creative freedom versus Big Brother.
Certainly itâs a slippery slope when corporations get involved in deciding what sorts of art the public can and cannot handle. Thatâs why artists who tackle transgressive themes generally have the sense not to show their artwork at malls.
WWeek 2015