Jay Horton

While Portland cannot claim the sax god as our own, the path that brought the University of Washington accounting student to the attention of major record labels arguably begins in Puddletown.

The paranormal drama taps into the dampened ambitions and mouldering dreams hovering alongside the shuttered mines and mills.

Haynes pours an unending deluge of imagery cribbed from experimentalist cinema into a thoughtful fever dream that is meticulous, ecstatic and very much alive.

In 2013, Portland was just that city on The Real World.

Poring over old journals, the actress-comedian ended up with a lighthearted reverie about early adolescence as seen through the repressive haze of one religious compound built atop the bones of another.

Hardly a fit for the Hallmark Channel, the candy-colored, effervescent romp embraces the sweeter side of seasonally affected delusions.

Wahlberg plays Joe as the sort of fiercely self-reliant American whose guiding philosophy fundamentally demands all problems can be solved.

“I’ve had to reassure people that the mushrooms want to be eaten.”

The impeccably curated treasure trove of motion pictures, TV episodes, campaign films and batshit found footage compose a kaleidoscopic supercut plucked from when Old Portland was young.

On the day that crowds marching across the Burnside Bridge grew to an estimated five figures, Goodwick’s aerial photo led the New York Times’ Sunday edition.

The shop’s current inventory of 150-some models includes such historic marvels as an 1830s typographer more closely resembling a Ouija Board and the turn-of-the-century, proto-portable “Five-Pound Secretary.”

The program effectively spawned the modern conception of edutainment and, more mysteriously, an unsinkable franchise continually cementing its position among tech-loving kids of all ages.

The gifted impressionist throws herself into Chad’s rolling slouch and upholstered eyebrows with an impeccable physical performance

While awaiting his broadcast television debut, Seth Raphael talked technological wizardry, crafting illusions for a socially distanced age and the lingering specter of an empty casino.

Director Jessie Barr collaborated on the script with her younger cousin, Jessica Barr, who also stars as the titular heroine.