In both press release and pre-curtain speech, Trenton Shine has described his new theatrical adaptation of American Psycho
as a parody of the film. It's a claim that simultaneously overexplains
and raises more questions. Isn't the film just a stylized and
bowdlerized—yet essentially faithful—retelling of the satirical novel by
Bret Easton Ellis? Can you parody a satire? Yes. And, sadly, no.
Despite a game effort by Travis Martin in Christian Bale's iconic role
as the status-crazed investment banker/serial killer Patrick Bateman,
this Funhouse Lounge production fails even as pastiche. The presumable
intent was a campfire replication of the movie's signal moments, which
almost justifies prerecorded monologues. But in this case, simulating
cinema on the cheap feels like hearing the movie loudly misquoted
(unless the cast actually meant to call Huey Lewis' early work "New
Age") while waiting in an interminable restroom line at an overcrowded
'80s night, with all the fun that suggests. Given the retro soundtrack's
evident importance, why not follow recent song-filled adaptations of Top Gun and Flash Gordon by cranking up the camp nostalgia for musicals? (The Matt Smith-starring, Duncan Sheik-scored version of American Psycho has
done all right in the U.K.) Or, rather than broaden the comedic
aspects, why not try a serious interpretation? The cast, which resists
the temptation to mug for easy laughs or imitate filmic forebears,
certainly seems up to the challenge, and the dialogue between Bateman
and the detective investigating a victim's disappearance crackles with
undeserved tension. For that matter, however disconcerting the projected
backdrops and constant scene-shuffling early on, each murder is
presented a bit more ingeniously, until the climactic shootout explodes
in a flourish of minimalist stagecraft. Still, as they say, deaths are
easy. Comedy is hard.
SEE IT: American Psycho is at Funhouse Lounge, 2432 SE 11th Ave., 841-6734. 7 pm Thursdays-Saturdays through Aug. 9. $10-$15.
WWeek 2015