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March 17th, 2004 Byron Beck | Queer Window
 

O Fag, Where Art Thou?

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For down-'n'-out tastes, nothing tops Gail's Dirty Duck. Stuck in some weird-ass time warp--it looks like the joint where Jodie Foster got gang-raped in The Accused--this dusty, moth-eaten queer dive is devoted to the goings-on of Oregon's large community of lumbering, Levi-loving, fuzzy-wuzzies affectionately known as "bears."

Lately, though, this big boy den of iniquity at the west end of the Steel Bridge has been adopted by a group of young misfits clad in black hoodies and flannel. They come here for the cheap pool and beer. Or maybe it's for the band. Yes, the band.

Unlike queer bars that bore you to tears with off-key piano bantering or drain your soul with disco, the double D offers another type of experience on Sunday nights, thanks to a musical trio that calls itself Sneakin' Out.

The night I caught the act, the band kicked off the first set with its version of Abba's "Dancing Queen" on mandolin, bass and glockenspiel.

That's right, glockenspiel--an instrument best suited for the inside of jewelry cases, not chub clubs.

With the earnestness all three musicians lovingly devote to their oddball instruments, it's hard to tell if they are playing it straight or just putting on some weird act--like back when Bette Midler played a New York bathhouse. The irony was not lost on the audience--which included homo-heavyweight music promoters and Pink Martini's very own Thomas Lauderdale. In fact, Lauderdale told me Sneakin' Out was his favorite new band.

Now combine the homo hillbilly covers with the band members' fake names--D. Louis Henson Blankenship on percussion, Dave Daluka from Denmark on mandolin and Mike Cheddar on bass--and you've got one hell of a show.

Talking to Cheddar, 37, and Blankenship, 42, a few days after the show (their real names are Mike Schmidt and Don Henson), I asked this longtime couple if their music is for real or just another novelty act.

"We take all types of music and have fun with it," says Cheddar about the band's approach to faves such as Pink Floyd's "Money" and Michael Jackson's "Beat It." "We call it acoustic insanity."

Call it whatever you want, Sneakin' Out has become increasingly busy since it formed last June. This trio uses the Duck as its practice space but also plays at venues as diverse as McMinnville brewpubs and Pearl District cafes.

"The whole focus is to be serious about our music, but not play serious music," Henson says between sets. "This is all we do."

But Sneakin' Out--a trio of professionals with more than three decades of musicianship under their belts--almost didn't happen.

"We were part of an ill-fated band in Nashville," Henson says. "Dave Daluka [Dave Gerow, who once toured with Clay Walker] had a vision that we could somehow form a band. It was a fluke that we all ended up together."

But glockenspiel? "I call it glock-and-roll," says Henson, who plans to add a xylophone to the mix. "It offers a countermelody to Dave's mandolin."

It also offers a new reason to go out Sunday night--to listen to music. At the Dirty Duck?

Who knew?


Sneakin' Out Gail's Dirty Duck, 439 NW 3rd Ave., 224-8446.9 pm Sundays. Or check out the band's schedule at www.sneakinout.com .
 
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03.17.2004 at 10:00 Reply
Before they were famous...We knew they would be. Congratulations guys!—Steve

 

02.19.2006 at 10:00 Reply
O Fag, Where Art Thou?Wandered into the Dirty Duck, last weekend, not knowing the nature of the bar or anything, but just drawn to the music. I wasn't ready to head home for the night after open mic night at Harvey's Comedy Club, and the music from the Dirty Duck seemed to be the only thing goin on. So I entered, and seeing the band going at it, ordered a beer. I quickly pieced together that this was a gay bar, and not only that, but apparently the Den of the Oregon Bears, many of filled the bar. I didn't mind though, and had a good time sitting by myself at the bar, enjoying the sounds of Sneakin' Out and a Drop Top Ale. What really fascinated me, even more so than their eclectic mix of instruments, was their ability to somehow meld the soudns of Led Zeppelin and George Gershwin. One minute I was hearing a Led Zeppelin jam, and a couple moments later they had segued into "Rhapsody in Blue"! I was really impressed with their musical ability, style, and sound. They wrapped up about the time I finished my beer and I headed out, but I have thought about Sneakin' Out since then, and hope to somehow bring friends by to hear their unique sound. Good times at the Dirty Duck! —Valdez Bravo

 

 
 

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