is a glass blower in the Venetian tradition. In the past he has created goblets, candlesticks and other assorted vessels that are well-crafted and beautiful, if not particularly original. In his current show at

, however, the artist goes out on a limb with works of blown and sculpted glass that are both utilitarian and fanciful. His

is fully functioning, as is his

—on opening night, children jumped up and down to make the instrument record their movements. Other works are more inscrutable in their purpose. Glass encasements hold deer spines, coyote skeletons and mink skulls. Other cases hold sea lion teeth and mouse skulls. There is a five-and-a-half-foot-tall syringe with a rubber plunger, which the Jolly Green Giant might use to shoot up with. Wherefore these impractical designs? As Paiko counter-questions in his statement: "Must a vessel be used in order to be functional? Does a functionless sculpture have a real purpose outside of aesthetic contemplation?" To which we respond with a resounding "No." Good for Paiko for evolving past stemware into conceptual works that question the relationship of beauty to purpose.

Scottish-born painter

, who now resides in England, displays a utility of brush stroke and finesse with the figure that place him at the crossroads of expressionism and impressionism in his show at the

. In works such as

and

, he employs a loose technique and a vibrant, earth-toned palette to suggest facial features, body posture and the directionality of light.

is a meditation on the Baudelairean "lonely crowd," its protagonist shaded on one side with orange, on the other with crimson and dark blue. It is in his single-figure studies that Adamson shines most brilliantly through.

articulates the figure's shoulder blades with the aid of bracing turquoise and aqua accents, while

juxtaposes delicate, delicate forearms and fingers with meaty Michelangelan feet. The artist, who sometimes paints with his canvases upside-down to impart a semi-abstract sense of composition divorced from narrative, succeeds in creating psychologically insightful vignettes of everyday life, emerging from pools of limpid color.