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Home · Articles · Arts & Books · Performance · Brandon Garbot
January 2nd, 2008 Stephen Marc Beaudoin | Performance
 

Brandon Garbot

Fourteen-year-old violin phenom debuts at the Schnitz.

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IMAGE: Paul Tha

“Prodigy” is a word so loaded in classical music it’s become downright damning. Today’s bright young musical talent becomes tomorrow’s also-ran. (Remember shoulder-baring violinist Vanessa Mae or pure-toned English soprano Charlotte Church? Wherever did they disappear to?)

But if prodigy isn’t the right word to describe the talents of 14-year-old Beaverton violinist Brandon Garbot, then what is?

“Astounding, amazing and special” are some of the effusions Garbot’s private teacher, Oregon Symphony section violinist Clarisse Atcherson, offers on the young musician’s exceptional promise. Word is getting out that Garbot’s a young string player to keep your eyes and ears on: He makes his professional debut this Sunday as soloist in the Oregon Symphony’s Songs of Travel concert.

Meeting Brandon in person, he looks like most other gangly junior-high kids: T-shirt and jeans, white Nike sneakers, glasses. Except that he has impeccably polite manners, beyond-his-years intelligence, and a cased-up Christian Pabst violin slung over one shoulder. And while most other kids his age are digging on Fergie and Britney, Brandon’s jamming to Mahler and Messiaen.

What do other kids think of this serious music he’s seriously passionate about? “They think it’s boring.” I bet if they heard Brandon rip up a Paganini Caprice or gallop through a Glazunov concerto (from which he’s playing a movement in this Sunday’s concert), they’d be just as tuned in.

Atcherson says she’s actively cultivating Garbot’s talent, specifically as an orchestra concertmaster. Garbot already holds that position with the Portland Youth Philharmonic, and has had coachings with the Symphony’s own concertmaster.

Most importantly, Atcherson says Garbot is growing into his own type of musician. He comes into lessons with marks in his sheet music on phrasing and dynamics; he’s teeming with ideas. For a recent lesson, he penciled in a series of indications about certain musical passages: “vanilla, raspberry, chocolate, dark chocolate.” And when he played, Atcherson could practically taste the flavors leaping off the page.


SEE IT: Arlene Schnitzer Concert Hall, 1037 SW Broadway,

228-1353. 2 pm Sunday, Jan. 6. $8-$39.

 
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01.02.2008 at 08:22 Reply
Might have been a good idea to interview someone other than the kid's own private teacher for this story.

 

01.02.2008 at 09:58 Reply
That's an interesting idea, "unhip pdx" - any suggestions? I figured Atcherson would be the best person to speak about him, since she's been teaching Brandon for several years now.

 

01.02.2008 at 11:31 Reply
Well but she also potentially could have a massive conflict of interest. It would have been interesting to hear from someone not directly involved with educating/promoting this young man. Too often children are hyped up as prodigies, used up, and forgotten because they mysteriously never live up to the incredibly awesome "potential" that self-interested adults claimed they held.

 

01.04.2008 at 07:52 Reply
unhipdx--What the hell? "massive conflict of interest??" Are you afraid his teacher is asking you to buy something? Why carp?

And what the hell, WW?!? Do you have to use that baggage-laden word to get us to read the story? It makes this piece a bit "yellow." Why not just report on an extremely talented young musician?

 

01.04.2008 at 12:29 Reply
I actually think this is one of Beaudoin's more sanely written profiles. And he's giving space to someone I truly had never heard of before. This is where the WW arts section does valuable work.

 

 
 

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