Friday, Nov. 30
Eric Stern
[MUSIC] On his new
solo album, Little Stories, accordionist-composer
Eric Stern’s theatrical,
wryly funny and occasionally
naughty lyrics, memorable tunes and
literally operatic vocals take center
stage more than they do with his
main squeeze, Vagabond Opera. His
steampunk-ish songs about chess
obsessives, golems, Paris, mysterious
ladies and more—some from his
recent operetta, Queen of Knives—
perfectly suit Stern’s louche gypsy
cabaret style, and his affection for
his musical heroes, Bertolt Brecht
and Kurt Weill, has never been
clearer, or more welcome. BRETT
CAMPBELL. Kennedy School, 5736
NE 33rd Ave., 249-3983. 7 pm. $10
advance, $12 day of show. All Ages.
Califone, Rebecca
Gates and the Consortium
[MUSIC]
Califone is one of the rare bands
whose music doesn’t sound rooted
in a particular place or time period.
The group’s first two self-titled
EPs—released in 1999 and 2000—
were beautiful and pretty startling: Here was a batch of Chicago-based
misfits that found the tissue connecting
turn-of-the-century blues
and folk, experimental rock and
glitchy dance music. The threads
were always there, but now we
finally had a road map. Califone
visits us on the eve of a reissue
of its first two EPs, released
earlier this month by local label
Jealous Butcher Records. ROBERT
HAM. Mississippi Studios, 3939 N
Mississippi Ave., 288-3895. 9 pm.
$13 advance, $15 day of show. 21+.
Federale
[MUSIC] Conceived
as a living tribute to the Westerns of Sergio
Leone and the dusty Ennio Morricone soundtracks
that accompanied them, Federale
has one of the best gimmicks of any band
in Portland. Like Quentin Tarantino movies,
the band, which spun off from the Brian
Jonestown Massacre in 2005, is too enamored with its influences
to ever be much more than an exercise in mimicry, but the fun
is in seeing how close they come to hitting the mark. MATTHEW SINGER.
Doug Fir Lounge, 9 pm. $10. 21+.
Saturday, Dec. 1
Bike Craft
[SHOPPING] Christmas shopping isn’t just for Suburban-driving suburbanites anymore—cyclists get their own massive celebration of seasonal commerce by buying a leather bag from Nomad-Unlimited, a cap from Double Darn Clothing or a sweet set of fenders from Sykes Wood.
Sandbox Studio, 420 NE 9th Ave., bikecraftpdx.com. 11 am-6 pm Saturday and Sunday. Free.
A Midsummer Night’s Dream [PERFORMANCE] November and December seem,
at first, an odd time to stage
A
Midsummer Night’s Dream. But
Midsummer is also
the Bard’s most fantastical play and
one of his most accessible, and by
that measure it fits with the season’s
tendency for escapist holiday entertainment. Portland Center Stage’s
entertaining production, directed
by Oregon Shakespeare Festival
veteran Penny Metropulos, plays up
Midsummer’s mischief without sacrificing
warmth. The staging is physically spirited
and effective, and the parallel plot
lines unfold enjoyably, if a bit comfortably. It’s no new wheel, but director Penny Metropulos
and her talented cast provide the old
one with plenty of grease. REBECCA
JACOBSON.
Gerding Theater, 128 NW
11th Ave., 445-3700. 7:30 pm Tuesdays-
Sundays, 2 pm Sundays. Noon select
Thursdays, 2 pm select Saturdays
through Dec. 23. $30-$70. [COMEDY] If your idea of fun is playing improv
games with a leather-clad dominatrix
as an audience hurls marshmallows at
you, this Unscriptables show is for you.
Funhouse Lounge, 2432 SE 11th Ave.,
309-3723. 10 pm Saturdays through
Dec. 29. “Pay what you will.”
Celebrate
[DANCE] High-flying acrobatics meet African rhythms in Celebrate, a one-night show and bazaar benefiting local startups. Come early for dinner and holiday shopping—local vendors provide the goods—followed by a divergent performance lineup. Kazüm and Night Flight demonstrate the possibilities of acrobatic and aerial movement; from the international dance realm, you get Mathias Galley, a touring member of the National Dance Company of Ghana, as well as the Kalabharathi School of Dance (showcasing the South Indian style Bharatanatyam) and Ramon and Cecily Capistran, both dancing salsa and bachata. That leaves contemporary dance, well-represented here by Broadway dancer-turned-local-studio-owner Kemba Shannon and the phenomenon that is Ten Tiny Dances, in which a rotating cast of local choreographers are creatively challenged by the constraints of a 4-by-4-foot stage. Proceeds from the event benefit Micro Enterprise Services of Oregon’s Family and Community Empowerment program, which offers business support to underserved aspiring entrepreneurs. Parkrose High School, 12003 NW Shaver. 5:30 pm marketplace, 7 pm performances Saturday, Dec. 1. $25- $30, free for marketplace.
Death Grips
[MUSIC] The modernist hip-hop trio is known best lately for subversive
moves like posting its third album, No Love Deep Web, for free online, a
stunt that got it dropped from Epic
Records, but at least Death Grips
has the talent to back up its antics.
The trio’s dark, vicious sound bears
the marks of Zach Hill’s experimentalist
history and a love for electronic
music’s freakier output.
Star
Theater, 13 NW 6th Ave., 248-4700.
9 pm. $15. All ages.
The Be Good
Tanyas, Huck Notari
[MUSIC] Those
eagerly anticipating the reunion
of beloved folk trio the Be Good
Tanyas, originally scheduled for this
past September, had to wait a while
longer while sometime-Portlander
Samantha Parton recovered from a
car accident. But these three singular
singers, who combined to such
thrilling effect through much of the
last decade, are finally together
again following a five-year hiatus.
The Vancouver, B.C., group entwines
nominal leader Frazey Ford’s gently
meandering voice and glancing
blows at diction, Parton’s more
grounded alto and Trish Klein’s quavering
high harmonies—plus the
ladies’ sure-handed command of
traditional instruments—into an
unique blend that makes old songs
sound new and their solid originals
sound old. JEFF ROSENBERG.
Aladdin Theater, 3017 SE Milwaukie
Ave., 234-9694. 8 pm. $20 advance,
$22 day of show. Under 21 permitted
with legal guardian.
Sunday Dec. 2
The Mush Fair
[FUNGUS] As part of the broader
Oregon Mushroom Stories festival,
you can view an “interactive
zoetrope sculpture” of the fungi life
cycle by local artist collective Belly
& Bones, and purchase mushroomgrowing
kits, already-grown mushrooms
and mushroom-related gifts.
The Cleaners at the Ace Hotel, 403
SW 10th Ave., oregonmushroomstories.org. 2-6 pm. Free.3 Inches of Blood,
Huntress, the Hookers, On
Enemy Soil, Weresquatch
[MUSIC] There’s been
plenty of ballyhoo on the Internet
about Huntress lead vocalist Jill
Janus. Her image as a scantily
clad witch-princess and her
former gig as a Playboy Bunny
have caused many to scoff at
her metal bands’ credentials and
rapid rise to fame. But if you’ve
seen the band live, or done your
homework, you’ll find Janus has
had a lifelong love affair with
metal, coupled with an operatic
four-octave vocal range. Some
bands are independently wealthy,
some have a booking agent in the
group and others just happen to
have a stunning knockout for a
singer. There should be no shame
in using your assets, so long as
the music comes first. NATHAN
CARSON. Hawthorne Theatre,
3862 SE Hawthorne Blvd., 233-
7100. 8 pm. $13 advance, $15 day
of show. All Ages.
Lawrence Arabia,
Andrew Keoghan
[MUSIC]
New Zealander James Milne’s brilliant
2009 release Chant Darling
is the ultimate how-to on melodic
pop. The songwriting mind behind
Lawrence Arabia toured extensively
in the record’s wake, never
developing the sizable fan base
we all thought he deserved. With
new album The Sparrow, Milne
expresses his disgust with Pro
Tools and moves toward the minimalist. Echoing the elegant sparseness
of Serge Gainsbourg and the
chilling musical tension of David
Byrne, Milne has made another
lasting impression—though, this
time, it’s a bit darker, a bit eerier
and a bit more orchestral. MARK
STOCK. Mississippi Studios, 3939 N
Mississippi Ave., 288-3895. 9 pm.
$10. 21+.