Brew Views: Frances Ha

Quarter-life crisis.

FRANCES HA

People have been trying to figure out 20-somethings at least since Dustin Hoffman unzipped Anne Bancroft's dress. In 2010, The New York Times Magazine ran a late-to-the-game article about a "new" life stage called "emerging adulthood" (a phrase coined by a psychology researcher a decade before) when self-indulgence and self-discovery collide. The exuberant and disarming Frances Ha is a portrait of one such emerging adult, shot in resplendent black-and-white and scored like a French New Wave film. As played with haphazard elegance by Greta Gerwig, Frances is a 27-year-old aspiring dancer in New York City still lurching through the obstacle course of a privileged post-collegiate life. Gerwig strips her performance of affect or cutesiness; unlike those manic pixie dream girls, she's not being quirky just to snag a guy. In one of the loveliest moments, David Bowie's "Modern Love" plays as Frances spins through the streets. Backpack bouncing, floral-print dress cutting a contrast with the crosswalk striping, she's every bit the emerging adult: aimless yet hopeful, self-absorbed yet in wide-eyed awe at the big, beautiful world.

  1. Playing at: Laurelhurst.
  2. Best paired with: 10 Barrel Swill.
  3. Also playing: The Breakfast Club (Academy), Pacific Rim (Hollywood).

WWeek 2015

Rebecca Jacobson

Rebecca Jacobson is a writer from Portland (OK, she was born in Seattle but has been in Oregon since the day after she turned 10) who's also lived in Berlin, Malawi and Rhode Island. While on staff at Willamette Week, she covered theater, film, bikes, drug dealers-turned-barbers and little-known scraps of local history.

Willamette Week’s reporting has concrete impacts that change laws, force action from civic leaders, and drive compromised politicians from public office.

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